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Starred Review Books
Vetted and praised by top reviewers, the books in this collection come highly recommended.
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{"id":6899076923451,"title":"Kim Jiyoung, Born 1982","handle":"kim-jiyoung-born-1982","description":"\u003cp\u003e\u003cb\u003eThe runaway bestseller that has sold over one million copies internationally, \u003ci\u003eKim Jiyoung, Born 1982 \u003c\/i\u003eis the most important book to have come out of South Korea since Han Kang’s \u003ci\u003eThe Vegetarian.\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eKim Jiyoung is the most common name for Korean women born in the 1980s.\u003cbr\u003eKim Jiyoung is representative of her generation:\u003c\/p\u003e\u003cp\u003eAt home, she is an unfavoured sister to her princeling little brother.\u003cbr\u003eIn primary school, she is a girl who has to line up behind the boys at lunchtime.\u003cbr\u003eIn high school, she is a daughter whose father blames her for being harassed late at night.\u003cbr\u003eIn university, she is a good student who doesn’t get put forward for internships by her professor.\u003cbr\u003eIn the office, she is an exemplary employee who is overlooked for promotion by her manager.\u003cbr\u003eAt home, she is a wife who has given up her career to take care of her husband and her baby.\u003cbr\u003eKim Jiyoung is depressed.\u003cbr\u003eKim Jiyoung has started to act out.\u003cbr\u003eKim Jiyoung is her own woman.\u003cbr\u003eKim Jiyoung is insane. \u003c\/p\u003e\u003cp\u003eKim Jiyoung’s husband sends her to see a psychiatrist.\u003cbr\u003eThis is his clinical assessment of the everywoman in contemporary Korea.\u003c\/p\u003e","published_at":"2022-06-27T18:13:21-04:00","created_at":"2022-06-27T17:26:16-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Bestseller","Adult BIPOC Voices","Adult Starred Reviews","Anansi International","Book Club Pick","By (author) Nam-Joo Cho","Feminist Reads","Literary Fiction","pub date: 2020-04-14","Translated by Chang Jamie"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499146686523,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006990","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kim Jiyoung, Born 1982 - 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{"AlsoRecommendedISBN_0":"9781487003043","AlsoRecommendedISBN_1":"9781487006211","AlsoRecommendedISBN_4":"9781770898806","BASICMainSubject":"FIC014000","BASICMainSubjectLiteral":"FICTION \/ Historical \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eCHO NAM-JOO\u003c\/strong\u003e is a former television scriptwriter who subverted the landscape of feminist discourse in Korea with her international bestseller, \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, which sold in twenty-five countries and was longlisted for the National Book Award. She graduated from the Department of Sociology of Ewha Womans University and is the author of the dystopian thriller \u003cem\u003eSaha\u003c\/em\u003e. She lives in South Korea.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Historical \/ General","BISACSubjectLiteral_1":"FICTION \/ Women","BISACSubjectLiteral_2":"FICTION \/ Literary","BISACSubject_0":"FIC014000","BISACSubject_1":"FIC044000","BISACSubject_2":"FIC019000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eCHO NAM-JOO\u003c\/strong\u003e is a former television scriptwriter who subverted the landscape of feminist discourse in Korea with her international bestseller, \u003cem\u003eKim Jiyoung, Born 1982\u003c\/em\u003e, which sold in twenty-five countries and was longlisted for the National Book Award. She graduated from the Department of Sociology of Ewha Womans University and is the author of the dystopian thriller \u003cem\u003eSaha\u003c\/em\u003e. She lives in South Korea.\u003c\/p\u003e\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eJAMIE CHANG\u003c\/strong\u003e is an award-winning translator and teaches at the Ewha Womans University in Seoul, South Korea.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Nam-Joo, Cho","Contributor_1":"Chang, Jamie","Description":"\u003cp\u003e\u003cb\u003eThe runaway bestseller that has sold over one million copies internationally, \u003ci\u003eKim Jiyoung, Born 1982 \u003c\/i\u003eis the most important book to have come out of South Korea since Han Kang’s \u003ci\u003eThe Vegetarian.\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eKim Jiyoung is the most common name for Korean women born in the 1980s.\u003cbr\/\u003eKim Jiyoung is representative of her generation:\u003c\/p\u003e\u003cp\u003eAt home, she is an unfavoured sister to her princeling little brother.\u003cbr\/\u003eIn primary school, she is a girl who has to line up behind the boys at lunchtime.\u003cbr\/\u003eIn high school, she is a daughter whose father blames her for being harassed late at night.\u003cbr\/\u003eIn university, she is a good student who doesn’t get put forward for internships by her professor.\u003cbr\/\u003eIn the office, she is an exemplary employee who is overlooked for promotion by her manager.\u003cbr\/\u003eAt home, she is a wife who has given up her career to take care of her husband and her baby.\u003cbr\/\u003eKim Jiyoung is depressed.\u003cbr\/\u003eKim Jiyoung has started to act out.\u003cbr\/\u003eKim Jiyoung is her own woman.\u003cbr\/\u003eKim Jiyoung is insane. \u003c\/p\u003e\u003cp\u003eKim Jiyoung’s husband sends her to see a psychiatrist.\u003cbr\/\u003eThis is his clinical assessment of the everywoman in contemporary Korea.\u003c\/p\u003e","EAN":"9781487006990","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006990\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"Anansi International","NumberOfPages":"144","OtherText_Accolades_0":"The book’s implications were unlike any other, and I was impressed . . . It’s a thought-provoking book.","OtherText_Accolades_0_Src":"RM","OtherText_Accolades_1":"I read the book and it changed how I think. Everything I’ve put aside, thinking it doesn’t mean anything, is actually because I am a woman. I realized how unfair it has been all this time.","OtherText_Accolades_1_Src":"Sooyoung","OtherText_Review_0":"A cultural call to arms . . . Like Bong Joon Ho’s Academy Award–winning film Parasite, which unleashed a debate about class disparities in South Korea, Cho’s novel was treated as a social treatise as much as a work of art.","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"This novel is about the banality of the evil that is systemic misogyny . . . Upon its publication in South Korea in 2016, the book, which sold more than a million copies, had an Uncle Tom’s Cabin effect, propelling a feminist wave. It’s easy to see why.","OtherText_Review_10":"As she unveils the lifetime of misogyny her protagonist has faced in South Korea, Cho Nam-Joo points to a universal dialogue around discrimination, hopelessness, and fear.","OtherText_Review_10_Src":"Time Magazine","OtherText_Review_1_Src":"New York Times","OtherText_Review_2":"As she unveils the lifetime of misogyny her protagonist has faced in South Korea, Cho Nam-Joo points to a universal dialogue around discrimination, hopelessness, and fear.","OtherText_Review_2_Src":"Time Magazine","OtherText_Review_3":"Cho’s novel became a rallying cry for South Korean women . . . While Cho’s focus is on South Korean culture, the normalisation of violence and harassment in the book seems all too familiar.","OtherText_Review_3_Src":"Guardian","OtherText_Review_4":"The novel’s virtue lies in its broad social impact . . . To read the book is to imagine being a restive, aggrieved millennial and to trace [Kim Jiyoung’s] path through everyday misogyny.","OtherText_Review_4_Src":"New York Review of Books","OtherText_Review_5":"This tale has immediate resonance . . . Cho’s matter-of-fact delivery underscores the pervasive gender imbalance, while just containing the empathic rage.","OtherText_Review_5_Src":"Booklist","OtherText_Review_6":"Kim Jiyoung, Born 1982 has much in common with Han Kang’sThe Vegetarian.","OtherText_Review_6_Src":"Los Angeles Review of Books","OtherText_Review_7":"[Cho Nam-joo] pulls no punches in her delineation of cultural misogyny … The author’s particular achievement is in blending political and stylistic concerns in a cool tone carefully captured in Jamie Chang’s translation … Cho’s moving, witty, and powerful novel forces us to face our reality, in which one woman is seen, pretty much, as interchangeable with any other.","OtherText_Review_7_Src":"Telegraph (U.K.)","OtherText_Review_8":"A clear-eyed look at damage done.","OtherText_Review_8_Src":"Straits Times","OtherText_Review_9":"In this fine — and beautifully translated — biography of a fictional Korean woman, we encounter the real experiences of many women around the world.","OtherText_Review_9_Src":"Spectator (U.K.)","OtherText_ShortDescription_0":"A bestseller that has sold over one million copies internationally and the most important book to have come out of South Korea since The Vegetarian.","PrizeCodeText_0":"Long-listed","PrizeCodeText_1":"Commended","PrizeCode_0":"05","PrizeCode_1":"03","PrizeName_0":"National Book Award for Translated Literature","PrizeName_1":"A LitHub Most Anticipated Book of 2020","PrizeYear_0":"2020","PrizeYear_1":"2020","ProductFormDescription":"trade paperback","PublicationDate":"2020-04-14","Publisher":"House of Anansi Press Inc","ShortDescription":"A bestseller that has sold over one million copies internationally and the most important book to have come out of South Korea since The Vegetarian.","Width":"5.5","WidthCode":"in"}
Kim Jiyoung, Born 1982
A bestseller that has sold over one million copies internationally and the most important book to have come out of South Korea since The Vegetarian.
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{"id":6899077054523,"title":"Me, Myself, They","handle":"me-myself-they","description":"\u003cp\u003e\u003cstrong\u003eFrom renowned trans activist, Luna M. Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMe, Myself, They: Life Beyond the Binary \u003c\/i\u003echronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.\u003c\/p\u003e","published_at":"2022-06-27T18:14:40-04:00","created_at":"2022-06-27T17:26:24-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Audiobooks","Adult LGBTQ+","Adult Nonfiction","Adult Starred Reviews","By (author) Ferguson Luna M.","House of Anansi Press","pub date: 2019-05-07","Technology \u0026 Politics"],"price":1895,"price_min":1895,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40499146850363,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487004774","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Me, Myself, They - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2295,"weight":320,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487004774","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499147440187,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487004781","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Me, Myself, They - epub","public_title":"epub","options":["epub"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487004781","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499147767867,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487004798","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Me, Myself, They - mobi","public_title":"mobi","options":["mobi"],"price":1895,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487004798","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499150618683,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487007140","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Me, Myself, They - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007140","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40499151044667,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487007157","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Me, Myself, They - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007157","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1d8dc64b-f870-431e-a765-95009e734a6b.jpg?v=1670223496"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1d8dc64b-f870-431e-a765-95009e734a6b.jpg?v=1670223496","options":["Title"],"media":[{"alt":"This image is in shades of black and white. A photograph shows a person with light skin tone and dark hair with eye makeup. They wear a top made of metal scales with chains for straps. Leather-like fabric is tied around their biceps. Text: Me, Myself, They. Life Beyond the Binary. Joshua M. Ferguson. “Raw, extraordinary, and profoundly moving.” – Jazz Jennings.","id":23033321685051,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1d8dc64b-f870-431e-a765-95009e734a6b.jpg?v=1670223496"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_1d8dc64b-f870-431e-a765-95009e734a6b.jpg?v=1670223496","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom renowned trans activist, Luna M. Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMe, Myself, They: Life Beyond the Binary \u003c\/i\u003echronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_2":"9781487006389","AlsoRecommendedISBN_5":"9781487007843","AlsoRecommendedISBN_6":"9781770893801","BASICMainSubject":"SOC064000","BASICMainSubjectLiteral":"SOCIAL SCIENCE \/ LGBTQ+ Studies \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eLUNA MARKI FERGUSON\u003c\/strong\u003e (Ph.D.) is a trans (they\/them) writer, filmmaker, artist, and advocate. In 2018, they became the first person to receive a non-binary birth certificate with an “X” designation in their home province of Ontario, and their advocacy has contributed to government reform in Canada. With their production company Turbid Lake Pictures, Ferguson’s filmmaking work includes the award-winning \u003cem\u003eWhispers of Life\u003c\/em\u003e; \u003cem\u003eLimina\u003c\/em\u003e, which was shown at festivals around the world and praised for its trans inclusivity; and the love story Henry’s Heart. Their writing and advocacy efforts have been featured in international publications including the \u003cem\u003eToronto Star\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, NBC News, \u003cem\u003eHuffPost\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eBuzzFeed\u003c\/em\u003e, \u003cem\u003eTeen Vogue\u003c\/em\u003e, and \u003cem\u003eOUT Magazine\u003c\/em\u003e. Ferguson lives in Vancouver, British Columbia, with their partner Florian. \u003cem\u003eMe, Myself, They\u003c\/em\u003e is their first book.Twitter: @lunamfergus on Instagram: @lunaferguson\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ LGBT Studies \/ General","BISACSubjectLiteral_1":"SOCIAL SCIENCE \/ Gender Studies","BISACSubjectLiteral_2":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ LGBT","BISACSubject_0":"SOC064000","BISACSubject_1":"SOC032000","BISACSubject_2":"BIO031000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eLUNA MARKI FERGUSON\u003c\/strong\u003e (Ph.D.) is a trans (they\/them) writer, filmmaker, artist, and advocate. In 2018, they became the first person to receive a non-binary birth certificate with an “X” designation in their home province of Ontario, and their advocacy has contributed to government reform in Canada. With their production company Turbid Lake Pictures, Ferguson’s filmmaking work includes the award-winning \u003cem\u003eWhispers of Life\u003c\/em\u003e; \u003cem\u003eLimina\u003c\/em\u003e, which was shown at festivals around the world and praised for its trans inclusivity; and the love story Henry’s Heart. Their writing and advocacy efforts have been featured in international publications including the \u003cem\u003eToronto Star\u003c\/em\u003e, the \u003cem\u003eGuardian\u003c\/em\u003e, NBC News, \u003cem\u003eHuffPost\u003c\/em\u003e, \u003cem\u003eVICE\u003c\/em\u003e, \u003cem\u003eBuzzFeed\u003c\/em\u003e, \u003cem\u003eTeen Vogue\u003c\/em\u003e, and \u003cem\u003eOUT Magazine\u003c\/em\u003e. Ferguson lives in Vancouver, British Columbia, with their partner Florian. \u003cem\u003eMe, Myself, They\u003c\/em\u003e is their first book.Twitter: @lunamfergus on Instagram: @lunaferguson\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Ferguson, Luna M. (CA)","Description":"\u003cp\u003e\u003cstrong\u003eFrom renowned trans activist, Luna M. Ferguson, comes a work of memoir and critical analysis that embraces an inclusive understanding of sex and gender.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMe, Myself, They: Life Beyond the Binary \u003c\/i\u003echronicles Luna M. Ferguson’s extraordinary story of transformation to become a celebrated non-binary filmmaker, writer, and advocate for trans rights. Beginning with their birth and early childhood of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violence. Above all, Ferguson’s story is about survival, empathy, and self-acceptance. By combining personal reflections on what it feels like to never truly fit into prescribed roles of male and female, and using an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for an inclusive understanding of diverse human identity and respect for trans, non-binary, and gender-nonconforming people. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.\u003c\/p\u003e","EAN":"9781487004774","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487004774\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"non-binary; sexual expression; transgender; compassion; uplifting; accessible memoir; gender politics; coming of age; non-binary birth certificate; gender fluid; small town; self actualization; activism; preferred pronouns; transphobia; empathy; transformation; trans visibility; LGBTQ+ voices; memoir; queer memoir; Casey Plett; Vivek Shraya; Janet Mock; Jazz Jennings","NumberOfPages":"304","OtherText_Accolades_0":"A loving healing for anyone who has been harmed by the gender binary — all of us.","OtherText_Accolades_0_Auth":"Vivek Shraya","OtherText_Accolades_1":"Joshua M. Ferguson’s Me, Myself, They is a necessary antidote to the impoverished modes of thinking and relating that govern our shared moment. It is a rousing call for empathy and care. It asks us to widen the terrain of gender and, in so doing, to fashion a new world. This is some of the most important work of our time, and Joshua’s memoir is a beacon!","OtherText_Accolades_1_Auth":"Billy-Ray Belcourt","OtherText_Accolades_2":"Me, Myself, They shows how vulnerability can be strength, how trans and non-binary people’s ingenuity and creativity have carved out new paths for future generations, and how difference can — and should — be celebrated. We are all lucky that Joshua M. Ferguson has written this generous, accessible, and moving book.","OtherText_Accolades_2_Auth":"Alicia Elliott","OtherText_Review_0":"Me, Myself, They takes on the challenge of explaining a deeply personal, sensitive subject in a way that is comprehensible without being reductive.","OtherText_Review_0_Src":"Foreword Reviews","OtherText_ShortDescription_0":"A personal work of memoir and critical analysis that pushes for an inclusive understanding of sex and gender.","ProductFormDescription":"trade paperback","PublicationDate":"2019-05-07","Publisher":"House of Anansi Press Inc","ShortDescription":"A personal work of memoir and critical analysis that pushes for an inclusive understanding of sex and gender.","Subtitle":"Life Beyond the Binary","Width":"5.5","WidthCode":"in"}
Me, Myself, They
A personal work of memoir and critical analysis that pushes for an inclusive understanding of sex and gender.
Quick View
{"id":6812109504571,"title":"NDN Coping Mechanisms","handle":"ndn-coping-mechanisms","description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","published_at":"2022-03-22T16:15:39-04:00","created_at":"2022-03-22T11:02:21-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult BIPOC Voices","Adult Course Adoption","Adult LGBTQ+","Adult Poetry","Adult Starred Reviews","By (author) Belcourt Billy-Ray","House of Anansi Press","Literary Fiction","pub date: 2019-09-03"],"price":1695,"price_min":1695,"price_max":1999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40195473637435,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487005771","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1999,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487005771","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195478159419,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487005788","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487005788","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40195503521851,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007164","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"NDN Coping Mechanisms - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007164","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","options":["Title"],"media":[{"alt":"A woman with light skin tone stands in a field of tall, dry grass. The sky is blue behind her. Her hands are bound in front of her with white fabric. She holds a piece of driftwood to cover her face. One eye is visible through a circular hole in the wood. Feathers stick out of a cracked section toward the top of the driftwood. Text: NDN Coping Mechanisms. Notes from the Field. Billy-Ray Belcourt. Winner of the Griffin Poetry Prize.","id":22808187240507,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4982c8fa-6c19-4601-8c91-a2f3e3dcdf1c.jpg?v=1665978480","width":1800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_1":"9781487002268","AlsoRecommendedISBN_2":"9781487003463","BASICMainSubject":"POE021000","BASICMainSubjectLiteral":"POETRY \/ LGBTQ+","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ LGBT","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"POETRY \/ Native American","BISACSubject_0":"POE021000","BISACSubject_1":"POE011000","BISACSubject_2":"POE015000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eBILLY-RAY BELCOURT\u003c\/strong\u003e (he\/him) is a writer and academic from the Driftpile Cree Nation. His debut book of poems, \u003cem\u003eThis Wound is a World\u003c\/em\u003e, won the 2018 Griffin Poetry Prize and the 2018 Robert Kroetsch City of Edmonton Book Prize, and was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It was also a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award. It was named by CBC Books as one of the best Canadian poetry collections of the year. Billy-Ray is a Ph.D. student and a 2018 Pierre Elliott Trudeau Foundation Scholar in the Department of English and Film Studies at the University of Alberta. He is also a 2016 Rhodes Scholar and holds a Master’s degree in Women’s Studies from Wadham College at the University of Oxford.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Belcourt, Billy-Ray (CA)","Description":"\u003cp\u003e\u003cstrong\u003eIn his follow-up to \u003ci\u003eThis Wound is a World\u003c\/i\u003e, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, \u003ci\u003eNDN Coping Mechanisms: Notes from the Field \u003c\/i\u003eis a provocative, powerful, and genre-bending new work that uses\u003c\/strong\u003e \u003cstrong\u003ethe modes of accusation and interrogation. \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHe aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNDN Coping Mechanisms: Notes from the Field\u003c\/i\u003e, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination. \u003c\/p\u003e","EAN":"9781487005771","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487005771\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"ethnopoetics; not dead native; visceral; campy; ferocious; LGBTQ+; accessible poetry; sucker punch; decolonial; grief and desire; genre-bending; poetics; prose; uncompromising; Tina Fontaine; experimental verse; canlit; indigenous literature; critical theory; Finalist; Lambda Literary Award for Gay Poetry; Longlist; CBC Canada Reads; Library Journal Best Book; CBC Book of the Year; Library Journal; starred review; Griffin Poetry Prize","NumberOfPages":"112","OtherText_Accolades_0":"This brilliant book is endlessly giving, lingering in tight spaces within the forms of loneliness, showing us their contours. These poems do the necessary work of negotiating with the heart-killing present from which we imagine and make Indigenous futures. Every line feels like a possible way out of despair.","OtherText_Accolades_0_Auth":"Elissa Washuta, author of My Body Is a Book of Rules","OtherText_Accolades_1":"I believe I exist. \/ To live, one can be neither \/ more nor less hungry than that.’ How grateful I am that Billy-Ray Belcourt and these poems believe in themselves enough to exist. With prodigious clarity, this work moves swiftly amongst theory and prose, longing and lyric, questioning and coping, ‘not dying’ and ‘obsessively apologizing to the moon for all that she has to witness.’ It is not hyperbole to say these poems are brilliant. And so brilliantly, searingly, they live.","OtherText_Accolades_1_Auth":"TC Tolbert, author of Gephyromania","OtherText_Accolades_2":"NDN Coping Mechanisms is a haunting book that dreams a new world — a ‘holy place filled with NDN girls, hair wet with utopia’ — as it simultaneously excoriates the world that ‘is a wound’ and the historic and present modalities of violence against Indigenous peoples under Canadian settler colonialism. Belcourt considers the genocidal nation-state, queerness, and the limits and potential of representation, often through a poetic\/scholarly lineage that includes Leanne Betasamosake Simpson, Saidiya Hartman, Anne Boyer, José Esteban Muñoz, Christina Sharpe, and Gwen Benaway, among others. This is the beautiful achievement of NDN Coping Mechanisms: Belcourt conjures a sovereign literary space that refuses white sovereignty and is always already in relation to the ideas of the foremost decolonial poets and thinkers of Turtle Island.","OtherText_Accolades_2_Auth":"Mercedes Eng, author of Prison Industrial Complex Explodes","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eWINNER OF THE GRIFFIN POETRY PRIZE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBilly-Ray Belcourt made history as the youngest-ever winner of the Griffin Poetry Prize for his previous collection, \u003cem\u003eThis Wound is a World.\u003c\/em\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eAWARD WINNING DEBUT COLLECTION:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBelcourt’s debut collection \u003cem\u003eThis Wound is a World\u003c\/em\u003e was named the Most Significant Book of Poetry in English by an Emerging Indigenous Writer at the 2018 Indigenous Voices Award. It also won the Robert Kroetsch City of Edmonton Book Prize, and was a finalist for the Governor General’s Literary Award, the Gerald Lampert Memorial Award, and the Raymond Souster Award.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eLGBTQ POETRY:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eAs with his first book, \u003cem\u003eNDN Coping Mechanisms\u003c\/em\u003e will appeal not only to fans of raw, emotionally direct lyric and confessional poetry, but also to readers of contemporary ethnopoetics and queer literary theory.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTHE NEW WAVE OF INDIGENOUS POETS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBelcourt is among the leaders of a new wave of young and extremely talented and provocative group of Indigenous writers, a list that includes Leanne Betasamosake Simpson, Katherena Vermette, Jason Stefanik, and Jordan Abel in Canada and Layli Long Soldier, Natalie Diaz, and Craig Santos Perez in the U.S.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"For all the ferocious energy and one-two punch of language here, this is also a concentrated, beautifully managed work.","OtherText_Review_0_Src":"Library Journal","OtherText_Review_1":"Both intellectual and visceral, these poems dazzle with metaphoric richness and striking lyricism.","OtherText_Review_1_Src":"Toronto Star","OtherText_Review_2":"A masterful blend of the personal and the political, the ephemeral and the corporeal, the theoretical and the emotional.","OtherText_Review_2_Src":"Quill and Quire","OtherText_Review_3":"An impressive follow-up to his first book.","OtherText_Review_3_Src":"Winnipeg Free Press","OtherText_Review_4":"Playful, candid, and campy.","OtherText_Review_4_Src":"Prairie Books NOW","OtherText_ShortDescription_0":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Short-listed","PrizeCodeText_4":"Commended","PrizeCodeText_5":"Commended","PrizeCode_0":"01","PrizeCode_1":"04","PrizeCode_2":"04","PrizeCode_3":"04","PrizeCode_4":"03","PrizeCode_5":"03","PrizeName_0":"Stephan G. Stephansson Award for Poetry","PrizeName_1":"Robert Kroetsch City of Edmonton Book Prize","PrizeName_2":"Lambda Literary Award for Gay Poetry","PrizeName_3":"Raymond Souster Award","PrizeName_4":"A Library Journal Best Book","PrizeName_5":"A CBC Book of the Year","PrizeYear_0":"2019","PrizeYear_1":"2019","PrizeYear_2":"2019","PrizeYear_3":"2019","PrizeYear_4":"2019","PrizeYear_5":"2019","ProductFormDescription":"trade paperback","PublicationDate":"2019-09-03","Publisher":"House of Anansi Press Inc","ShortDescription":"The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.","Subtitle":"Notes from the Field","Width":"6","WidthCode":"in"}
NDN Coping Mechanisms
The follow-up collection from Griffin Poetry Prize–winning poet Billy-Ray Belcourt is a provocative, powerful, and genre-bending new work.
Quick View
{"id":6899077218363,"title":"No Friend but the Mountains","handle":"no-friend-but-the-mountains","description":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. 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{"AlsoRecommendedISBN_0":"9780887848346","AlsoRecommendedISBN_1":"9780887849596","AlsoRecommendedISBN_2":"9781487002008","BASICMainSubject":"BIO032000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Social Activists","BiographicalNote":"\u003cp\u003eBEHROUZ BOOCHANI is a Kurdish-Iranian writer, journalist, and adjunct associate professor at the University of NSW. He publishes regularly with The Guardian, and his book, No Friend but the Mountains, won the 2019 Victorian Prize for Literature. It has been published in 23 countries and is currently being adapted for both stage and screen. A political prisoner incarcerated by the Australian government in Papua New Guinea before he escaped in 2019, Boochani now resides in Wellington, New Zealand.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Social Activists","BISACSubjectLiteral_1":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Personal Memoirs","BISACSubjectLiteral_2":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Survival","BISACSubject_0":"BIO032000","BISACSubject_1":"BIO026000","BISACSubject_2":"BIO038000","ContributorBio_0":"\u003cp\u003eBEHROUZ BOOCHANI is a Kurdish-Iranian writer, journalist, and adjunct associate professor at the University of NSW. He publishes regularly with The Guardian, and his book, No Friend but the Mountains, won the 2019 Victorian Prize for Literature. It has been published in 23 countries and is currently being adapted for both stage and screen. A political prisoner incarcerated by the Australian government in Papua New Guinea before he escaped in 2019, Boochani now resides in Wellington, New Zealand.\u003c\/p\u003e\r\n","ContributorBio_1":"\u003cp\u003e\u003cstrong\u003eOMID TOFIGHIAN\u003c\/strong\u003e is a translator, lecturer, researcher, and community advocate, combining philosophy with interests in citizen media, rhetoric, religion, popular culture, transnationalism, displacement, and discrimination. He completed his Ph.D. in philosophy at Leiden University and graduated with a combined Honours degree in philosophy and studies in religion at the University of Sydney. His current roles include Assistant Professor of Philosophy at the American University in Cairo; Honorary Research Associate for the Department of Philosophy, University of Sydney; faculty at Iran Academia; and campaign manager for Why Is My Curriculum White? — Australasia. He has published numerous book chapters and journal articles, and is author of \u003cem\u003eMyth and Philosophy in Platonic Dialogues\u003c\/em\u003e, and is translator of Behrouz Boochani’s book \u003cem\u003eNo Friend but the Mountains: Writing From Manus Prison\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","ContributorRole_1":"Translated by","Contributor_0":"Boochani, Behrouz","Contributor_1":"Tofighian, Omid","Description":"\u003cp\u003e\u003cstrong\u003eWinner of Australia’s richest literary award, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. \u003c\/p\u003e\u003cp\u003eIt is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, \u003ci\u003eNo Friend but the Mountains \u003c\/i\u003eis an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world.\u003c\/p\u003e\u003cp\u003e“Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan\u003c\/p\u003e","EAN":"9781487006839","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006839\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"9","HeightCode":"in","Imprint":"Anansi International","NumberOfPages":"416","OtherText_Accolades_0":"No Friend but the Mountains by Behrouz Boochani will always belong to the canon of literature written under great duress and courage. This unique book should be read by all who care about the stories of our time. No Friend but the Mountains reminds us that no matter how different we may be from one another, whether it’s the colour of our skin, the god we pray to, where we are born, or where we call home, that we have words, language, and literature in common. I celebrate the courage of Boochani, who has pursued this ideal, this love of writing, and the faith in words as a tool to inform, to be a doorway to new and unexpected worlds, challenge tyrannies, and seek justice.","OtherText_Accolades_0_Auth":"Jennifer Clement","OtherText_Accolades_0_Src":"Jennifer Clement","OtherText_Accolades_1":"Under atrocious conditions [Behrouz Boochani] has managed to write and publish a record of his experiences (experiences yet to be concluded), a record that will certainly leave his jailers gnashing their teeth . . . No Friend but the Mountains provides a wholly engrossing account of the first four years that Boochani spent on Manus, up to the time when the prison camp was closed and the prisoners resettled elsewhere on the island. Just as absorbing is his analysis of the system that reigns in the camp, a system imposed by the Australian authorities but autonomous in the sense that it holds the jailers as well as the prisoners in its grip . . . [No Friend but the Mountains is] the absorbing record of a life-transforming episode whose effects on his inner self the writer is still trying to plumb.","OtherText_Accolades_1_Auth":"J.M. Coetzee","OtherText_Accolades_2":"No Friend but the Mountains deserves a place beside some of the world’s most famous prison narratives and testaments about living in a time of genocide, slavery, and state-sponsored oppression. It brings to mind various literary siblings: the ways in which The Diary of Anne Frank sketched the life of a young girl in the period leading up to her murder in the Holocaust; how Incidents in the Life of a Slave Girl painted Harriet Jacobs’s life as a fugitive in the United States; the means by which One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn showed the daily oppression of a man living in a Soviet gulag; how The Autobiography of Malcolm X charted the movement of a man through prison life and into militancy as the most famous Black Muslim in America; and how Martin Luther King Jr. condemned arbitrary imprisonment and racial segregation in The Letter from Birmingham Jail . . . In a time of mounting hysteria and paranoia with regard to the arrival of migrants in developed countries, Behrouz Boochani reminds us that 68.5 million displaced people in the world today are the same as us. We could be them, tomorrow.","OtherText_Accolades_2_Auth":"Lawrence Hill","OtherText_Accolades_2_Src":"Lawrence Hill","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eAN INTERNATIONAL SENSATION:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBoochani’s story went global when \u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e won the Victorian Prize for Literature, Australia’s richest literary prize. The book won both the prize for nonfiction, as well as the overall winner for literature. The publisher had to make a special request that his work be eligible, despite the fact that he is essentially stateless. His win is a clear political statement of the Australian literary community’s objection to its government’s continued exile of Boochani and other refugees on Manus Island and Nauru Island, the two notorious immigration immigration detention facilities.\u003cbr\u003e\r\n\u003cbr\u003e\r\nAustralian sales are around 30K now (as of April 2019) but are projected to reach 50K before the end of the year. Rights have been sold in the following territories: Homeward in Taiwan, Add Editore in Italy, Random House in Germany, Picador UK, Hugo in France, Al Arabi in Egypt, Leya in Portugal and Jurgen Maas Uitgeverij in the Netherlands. In the coming months the agent expects to conclude deals in Japan, Spain, Portugal, Turkey, Brazil, Lithuania, Sri Lanka, Denmark, Greece and Sweden. Film rights have been sold to Aurora Australia.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eTIMELY SUBJECT MATTER — REFUGEES AND FREE PRESS UNDER ATTACK:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe detainment of refugees is a hot-button issue. Boochani’s rare insider’s first-person account is beautifully and poetically told, and symbolic of the realities and circumstances tens of thousands of migrants are living in today. In addition, the reason for his flight from Iran — escaping persecution as a journalist — is more and more common with the increase of autocratic nations: https:\/\/www.theguardian.com\/commentisfree\/2019\/feb\/03\/observer-view-on-assad-regime-murder-marie-colvin?CMP=Share_iOSApp_Other\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eRECENT TALK OF REOPENING THE DETENTION CENTRES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe situation on Manus and Nauru Islands will continue to be in the news throughout the year. On February 13, 2019, the Australian prime minister, Scott Morrison, threatened to reopen the Manus Island detention centre after a medical evacuation bill — the new legislation sets out the conditions by which sick people on Nauru and Manus can be transferred to Australia for medical treatment. In the event there is medical advice from two or more treating doctors that a person needs to be evacuated, the home affairs minister has grounds for refusal.) passed in the Senate.\u003cbr\u003e\r\n\u003cbr\u003e\r\nHere is information on the medical evacuation bill:\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/feb\/13\/nine-facts-about-the-medical-evacuation-bill\u003cbr\u003e\r\n\u003cbr\u003e\r\nAnd Prime Minister Scott Morrison’s response, upping the rhetoric on fearing migrants and refugees:\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/feb\/13\/coalition-to-reopen-christmas-island-detention-centre-as-senate-passes-refugee-transfer-bill\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eA PEN INTERNATIONAL WRITER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePEN International has called on the Australian government for Boochani’s release. We will be approaching PEN International, PEN America, PEN U.K., and PEN Canada for support on this work, and through our efforts in publicizing the book we will also push for the author’s release.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eDEMAND FOR IMMIGRANT STORIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eNever before has there been such interest in immigrant and refugee stories, as demonstrated by the success of story collections by Chimamanda Ngozi Adichie, Djamila Ibrahim, Irina Kovalyova, Jhumpa Lahiri, and Ayelet Tsabari.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eACCLAIMED COMPANION FILM:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eBehrouz Boochani shot the feature-length documentary \u003cem\u003eChauka, Please Tell Us the Time\u003c\/em\u003e with Arash Kamali Sarvestani on a cellphone at the detention centre. It was acclaimed upon its release in 2018 and is available to watch on Vimeo: https:\/\/vimeo.com\/ondemand\/chauka.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eFILM ADAPTATION IN THE WORKS:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eSweetshop \u0026 Green, Aurora Films, and Hoodlum Entertainment are producing a major motion picture adaptation of \u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e. Filming is set to begin in Australia in mid-2021.\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/amp.theguardian.com\/world\/2020\/feb\/24\/behrouz-boochanis-book-no-friend-but-the-mountains-to-be-made-into-a-film\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.screendaily.com\/news\/behrouz-boochanis-asylum-seeker-drama-no-friend-but-the-mountains-heads-to-big-screen-exclusive\/5147441.article?fbclid=IwAR3jcsIJTHbmAHuDmpFZLYft6En7RBnuY9Ae9XCZ4uUbjjUbIj6tjuAlQeQ\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eBOOKSELLER INTEREST:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e“\u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e tells a story those in power do not want you to know. In writing this improbable memoir, Behrouz Boochani has given voice to migrants and refugees across the world and reminds us that the struggle for freedom is an ongoing one. I’m grateful this book exists.” — Stephen Sparks, Point Reyes Books\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eMedia Coverage on and by Behrouz Boochani\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.nytimes.com\/2019\/11\/14\/world\/australia\/behrouz-boochani-refugee.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2019\/nov\/14\/behrouz-boochani-free-voice-manus-island-refugees-new-zealand-australia\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.nytimes.com\/2019\/01\/31\/world\/australia\/behrouz-boochani-victorian-prize-manus-island.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/world\/2019\/feb\/01\/behrouz-boochani-on-literary-prize-words-still-have-the-power-to-challenge-inhumane-systems\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/pen-international.org\/news\/on-human-rights-day-take-action-for-journalist-behrouz-boochani-stranded-on-manus-island\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.npr.org\/books\/titles\/634881611\/no-friend-but-the-mountains-writing-from-manus-prison\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/oct\/29\/i-returned-to-my-prison-on-manus-island-and-was-stunned-by-what-i-saw\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/aug\/31\/australia-needs-a-moral-revolution\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/commentisfree\/2018\/jun\/20\/our-lives-are-have-become-weapons-in-a-rugged-political-contest\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.smh.com.au\/national\/australia-s-barbaric-policy-confronted-by-boochani-s-prison-memoir-20180821-p4zyt7.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.smh.com.au\/entertainment\/books\/no-friend-but-the-mountains-review-behrouz-boochanis-poetic-and-vital-memoir-20180801-h13fuu.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.theguardian.com\/australia-news\/2018\/aug\/02\/behrouz-boochani-manus-island-and-the-book-written-one-text-at-a-time\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.thesaturdaypaper.com.au\/news\/politics\/2017\/12\/09\/letter-manus-island\/15127380005617\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.aljazeera.com\/programmes\/talktojazeera\/inthefield\/2018\/02\/behrouz-boochani-living-limbo-manus-island-180208113527825.html\u003cbr\u003e\r\n\u003cbr\u003e\r\nhttps:\/\/www.huffingtonpost.com.au\/author\/behrouz-boochani\/\u003c\/p\u003e","OtherText_Description_for_R_0":"\u003cdiv \u003e\u003cstrong\u003eForeword by Richard Flanagan\u003c\/strong\u003e\u003c\/div\u003e\u003cp\u003e\u003cem\u003eNo Friend but the Mountains\u003c\/em\u003e is a book that can rightly take its place on the shelf of world prison literature, alongside such diverse works as Oscar Wilde’s \u003cem\u003eDe Profundis\u003c\/em\u003e, Antonio Gramsci’s \u003cem\u003ePrison Notebooks\u003c\/em\u003e, Ray Parkin’s \u003cem\u003eInto The Smother\u003c\/em\u003e, Wole Soyinka’s \u003cem\u003eThe Man Died\u003c\/em\u003e, and Martin Luther King Jr’s \u003cem\u003eLetter from Birmingham Jail\u003c\/em\u003e.\u003c\/p\u003e\u003cp\u003eWritten in Farsi by a young Kurdish poet, Behrouz Boochani, in situations of prolonged duress, torment, and suffering, the very existence of this book is a miracle of courage and creative tenacity. It was written not on paper or a computer, but thumbed on a phone and smuggled out of Manus Island in the form of thousands of text messages.\u003c\/p\u003e\u003cp\u003eWe should recognise the extent of Behrouz Boochani’s achievement by first acknowledging the difficulty of its creation, the near impossibility of its existence. Everything has been done by our government to dehumanise asylum seekers. Their names and their stories are kept from us. On Nauru and Manus Island, they live in a zoo of cruelty. Their lives are stripped of meaning.\u003c\/p\u003e\u003cp\u003eThese prisoners were all people who had been imprisoned without charge, without conviction, and without sentence. It is a particularly Kafkaesque fate that frequently has the cruellest effect — and one fully intended by their Australian jailers – of destroying hope.\u003c\/p\u003e\u003cp\u003eThus the cry for freedom was transmuted into charring flesh as 23-year-old Omid Masoumali burnt his body in protest. The screams of 21-year-old Hodan Yasin as she too set herself alight.\u003c\/p\u003e\u003cp\u003eThis is what we, Australia, have become.\u003c\/p\u003e\u003cp\u003eThe ignored begging of a woman on Nauru being raped.\u003c\/p\u003e\u003cp\u003eA girl who sewed her lips together.\u003c\/p\u003e\u003cp\u003eA child refugee who stitched a heart into their hand and didn’t know why.\u003c\/p\u003e\u003cp\u003eBehrouz Boochani’s revolt took a different form. For the one thing that his jailers could not destroy in Behrouz Boochani was his belief in words: their beauty, their necessity, their possibility, their liberating power.\u003c\/p\u003e\u003cp\u003eAnd so over the course of his imprisonment Behrouz Boochani began one of the more remarkable careers in Australian journalism: reporting about what was happening on Manus Island in the form of tweets, texts, phone videos, calls, and emails. In so doing he defied the Australian government which went to extreme lengths to prevent refugees’ stories being told, constantly seeking to deny journalists access to Manus Island and Nauru; going so far, for a time, as to legislate the draconian section 42 of the \u003cem\u003eAustralian Border Force Act\u003c\/em\u003e, which allowed for the jailing for two years of any doctors or social workers who bore public witness to children beaten or sexually abused, to acts of rape or cruelty.\u003c\/p\u003e\u003cp\u003eHis words came to be read around the world, to be heard across the oceans and over the shrill cries of the legions of paid propagandists. With only the truth on his side and a phone in his hand, one imprisoned refugee alerted the world to Australia’s great crime.\u003c\/p\u003e\u003cp\u003eBehrouz Boochani has now written a strange and terrible book chronicling his fate as a young man who has spent \u003cem\u003efive years\u003c\/em\u003e on Manus Island as a prisoner of the Australian government’s refugee policies — policies in which both our major parties have publicly competed in cruelty.\u003c\/p\u003e\u003cp\u003eReading this book is difficult for any Australian. We pride ourselves on decency, kindness, generosity, and a fair go. None of these qualities are evident in Boochani’s account of hunger, squalor, beatings, suicide and murder.\u003c\/p\u003e\u003cp\u003eI was painfully reminded in his descriptions of the Australian officials’ behaviour on Manus of my father’s descriptions of the Japanese commanders’ behaviour in the POW camps where he and fellow Australian POWs suffered so much.\u003c\/p\u003e\u003cp\u003eWhat has become of us when it is we who now commit such crimes?\u003c\/p\u003e\u003cp\u003eThis account demands a reckoning. Someone must answer for these crimes. Because if they don’t, the one certainty that history teaches us is that the injustice of Manus Island and Nauru will one day be repeated on a larger, grander, and infinitely more tragic scale in Australia.\u003c\/p\u003e\u003cp\u003eSomeone is responsible, and it is they, and not the innocent, to whose great suffering this book bears such disturbing witness, who should be in jail.\u003c\/p\u003e\u003cp\u003eThis book, though, is something greater than just a \u003cem\u003eJ’accuse\u003c\/em\u003e. It is a profound victory for a young poet who showed us all how much words can still matter. Australia imprisoned his body, but his soul remained that of a free man. His words have now irrevocably become our words, and our history must henceforth account for his story.\u003c\/p\u003e\u003cp\u003eI hope one day to welcome Behrouz Boochani to Australia as what I believe he has shown himself to be in these pages. A writer. A great Australian writer.\u003c\/p\u003e \u003cp\u003e Richard Flanagan, 2018\u003c\/p\u003e\u003cdiv \u003e\u003cstrong\u003e*\u003cbr\/\u003e\u003cbr\/\u003eExcerpt from Chapter 5—\u003cbr\/\u003eA Christmas (Island) Tale \/ A Stateless Rohingya Boy Sent Away to Follow the Star of Exile\u003c\/strong\u003e\u003cbr\/\u003e\u003c\/div\u003e\u003cp\u003eThey load us onto a bus. A few days ago in this exact area a bloody battle erupted, right in the place where we are now standing like submissive sheep. Lebanese refugees stood up to defy the guards who wanted to load them on board. But the guards smashed them and beat them down. They annihilated them, beat down on the arms and faces of a few of them. The guards dragged their battered and blood-soaked bodies over the concrete. They banished them to Manus Island. No matter how the refugees tried to resist, they couldn’t alter the political machinations of a government, a government that had just recently taken power, that had gone mad with the mere whiff of power.\u003c\/p\u003e\u003cp\u003eThe bus takes off. The path to the airport is surrounded by jungle. The conversation inside the vehicle is about the possibility of a particular scenario: that we will disembark at Darwin Airport and find out that all this talk is nothing but a ridiculous performance, the whole thing just a farce, that this whole thing doesn’t involve Manus in any way. However, talk of this kind comes from a place of weakness. At this point, faith in an occurrence that resembles a miracle comes across as ludicrous. We have to accept the reality. Within hours we will be descending on a remote island called Manus.\u003c\/p\u003e\u003cp\u003eA few police vehicles follow our bus, and a few travel ahead. It is as though they are attending to our bus like a car transporting a president. We are so disempowered that we couldn’t do anything at all, even if we wanted to. Our baggy, cumbersome clothing weighs us down.\u003c\/p\u003e\u003cp\u003ePandemonium breaks loose at the airport. Dozens of police officers stand by the plane in military mode. A few journalists have their cameras ready. All of them are waiting for us. The interpreters are there, also. That Kurdish woman has both her hands clasped behind her back. She just stands there, completely obedient. I can’t work it out; I can’t understand why they have to securitise that space. I am frightened by the journalists; I am frightened by the cameras they hold.\u003c\/p\u003e\u003cp\u003eJournalists inquire into everything. They are always seeking out horrific events. They acquire fodder for their work from wars, from bad occurrences, from the misery of people. I remember when I used to work for a newspaper I would become agitated from listening to all the news about, for instance, a coup d’état, a revolution, or a terrorist attack. I would begin work with great fervour and scramble for that kind of research like a vulture; in turn, I fed the appetite of the people.\u003c\/p\u003e\u003cp\u003eThe journalists are staking out the situation like vultures: waiting until the wretched and miserable exit the vehicle; eager for us to come out as quickly as possible, to catch sight of the poor and helpless and launch on us —\u003c\/p\u003e\u003cp\u003e\u003cem\u003eClick, click \/\u003cbr\/\u003eWaiting to take their photos \/ Click, click.\u003c\/em\u003e\u003c\/p\u003e\u003cp\u003e— and dispatch the images to the whole world. They are completely mesmerised by the government’s dirty politics and just follow along. The deal is that we have to be a warning, a lesson for people who want to seek protection in Australia.\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"A stateless Kurdish-Iranian asylum-seeker detained by the Australian government won the country’s highest-paying literary prize on Thursday. But he could not attend the festivities to accept the award. Behrouz Boochani, a writer, journalist and filmmaker who has been held in offshore detention on Manus Island in Papua New Guinea for more than five years, won the 2019 Victorian Prize for Literature for his book, No Friend but the Mountains . . . Typically, only Australian citizens or permanent residents are eligible for the award. But an exception was made in Mr. Boochani’s case because judges considered his story an Australia story, said Michael Williams, the director of the Wheeler Center, a literary institution that administers the award on behalf of the state government. ‘We canvassed the critical and broader literary reception of the book, and we made our decision on that basis,’ Mr. Williams said. ‘This is an extraordinary literary work that is an indelible contribution to Australian publishing and storytelling.","OtherText_Review_0_Src":"New York Times","OtherText_Review_1":"Boochani tapped his book out in text messages to his friend Omid Tofighian, who translated the book from Persian. Before the book was published, Boochani filmed a movie, Chauka, Please Tell Us the Time, which was shot in secret, on his cell phone. He has written many articles and essays for Australian and international media. He now holds a non-resident appointment at the University of Sydney. In a different place, or at a different time, these professional recognitions, to say nothing of his many literary awards, would have signalled that Boochani is integrated into Australian society, and valued by it. But Australia’s extreme anti-immigrant turn, which preceded that of the United States by several years, has created a stark disjuncture between what the culture values and what the state allows. In an era when simply being a person in need of international protection makes a man a criminal, he cannot live in the society that has showered him with praise.","OtherText_Review_1_Auth":"Masha Gessen","OtherText_Review_1_Src":"The New Yorker","OtherText_Review_2":"No Friend but the Mountains: Writing from Manus Prison is an extraordinary insight into the life of several hundred men held in offshore prisons under the Australian policy of immigration detention.","OtherText_Review_2_Src":"Los Angeles Review of Books","OtherText_Review_3":"The winner of Australia’s richest literary prize did not attend the ceremony. His absence was not by choice. Behrouz Boochani, whose debut book won both the $25,000 non-fiction prize at the Victorian premier’s literary awards and the $100,000 Victorian prize for literature on Thursday night, is not allowed into Australia. The Kurdish Iranian writer is an asylum seeker who has been kept in purgatory on Manus Island in Papua New Guinea for almost six years, first behind the wire of the Australian offshore detention centre, and then in alternative accommodation on the island. Now his book No Friend but the Mountains — composed one text message at a time from within the detention centre — has been recognized by a government from the same country that denied him access and locked him up.","OtherText_Review_3_Src":"Guardian","OtherText_Review_4":"As war, crime, famine, and civil disruption result in growing numbers of asylum seekers, Boochani’s deeply disturbing memoir introduces readers to hard realities and reveals the wounded hearts of captors and prisoners alike.","OtherText_Review_4_Src":"Foreword Reviews","OtherText_ShortDescription_0":"Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Winner","PrizeCodeText_3":"Winner","PrizeCodeText_4":"Winner","PrizeCodeText_5":"Nominated","PrizeCodeText_6":"Winner","PrizeCodeText_7":"Commended","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"01","PrizeCode_3":"01","PrizeCode_4":"01","PrizeCode_5":"07","PrizeCode_6":"01","PrizeCode_7":"03","PrizeName_0":"Victorian Prize for Literature","PrizeName_1":"Victorian Premier’s Prize for Nonfiction","PrizeName_2":"NSW Premier’s Literary Award: Special Award","PrizeName_3":"ABIA General Non-Fiction Book of the Year","PrizeName_4":"State Library New South Wales National Biography Award","PrizeName_5":"Foreword INDIES Book of the Year Award: Autobiography \u0026amp; Memoir","PrizeName_6":"Foreword INDIES Book of the Year Award: Editor’s Choice (Nonfiction)","PrizeName_7":"A New Statesman Book of the Year","ProductFormDescription":"trade paperback","PublicationDate":"2019-02-11","Publisher":"House of Anansi Press Inc","ShortDescription":"Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.","Subtitle":"Writing from Manus Prison","Width":"6","WidthCode":"in"}
No Friend but the Mountains
Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison.
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{"id":6811317174331,"title":"Not One of These Poems Is About You","handle":"not-one-of-these-poems-is-about-you","description":"\u003cp\u003e\u003cstrong\u003eFrom Teva Harrison, the award-winning author and illustrator of \u003ci\u003eIn-Between Days\u003c\/i\u003e, comes a powerful work of poetry and art in which she continues to explore what it means to live with metastatic breast cancer.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn this remarkable, frank, and gut-wrenching mix of words and images, Teva continues on her journey, grappling with what it means to live with metastatic breast cancer. She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.\u003c\/p\u003e\u003cp\u003eStarkly honest and wholly profound, \u003ci\u003eNot One of These Poems Is About You\u003c\/i\u003e distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.\u003c\/p\u003e","published_at":"2022-03-21T17:16:14-04:00","created_at":"2022-03-21T12:44:23-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","Adult Starred Reviews","Ambrosia","By (author) Harrison Teva","pub date: 2020-01-07"],"price":1695,"price_min":1695,"price_max":2195,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191033376827,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487006921","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Not One of These Poems Is About You - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2195,"weight":168,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006921","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191127420987,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006914","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Not One of These Poems Is About You - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006914","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191128010811,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487007171","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Not One of These Poems Is About You - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007171","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_49e68249-953b-4f96-8563-2cee3b0e907e.jpg?v=1678600243","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_51e071a2-ddbf-4ac7-8206-58545127a4e3.jpg?v=1647888441","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f8b5380c-8028-4712-acec-48cd16e40366.jpg?v=1647888452","\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4a0a94e1-0b9a-44c2-bf3a-d0d9e1b558c5.jpg?v=1647888462"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_49e68249-953b-4f96-8563-2cee3b0e907e.jpg?v=1678600243","options":["Title"],"media":[{"alt":"The silhouettes of two birds are about to land on a nest. One bird is all red and the other is all blue. Each bird carries a worm in its mouth. They are against a pink background. The nest below them is green and has three chicks and various flowers in the same shade of green. Text: Not One of These Poems is About You. Teva Harrison.","id":23324551807035,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2400,"width":1800,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_49e68249-953b-4f96-8563-2cee3b0e907e.jpg?v=1678600243"},"aspect_ratio":0.75,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_49e68249-953b-4f96-8563-2cee3b0e907e.jpg?v=1678600243","width":1800},{"alt":null,"id":21749012201531,"position":2,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_51e071a2-ddbf-4ac7-8206-58545127a4e3.jpg?v=1647888441"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_51e071a2-ddbf-4ac7-8206-58545127a4e3.jpg?v=1647888441","width":500},{"alt":null,"id":21749012594747,"position":3,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f8b5380c-8028-4712-acec-48cd16e40366.jpg?v=1647888452"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_f8b5380c-8028-4712-acec-48cd16e40366.jpg?v=1647888452","width":500},{"alt":null,"id":21749012856891,"position":4,"preview_image":{"aspect_ratio":1.502,"height":333,"width":500,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4a0a94e1-0b9a-44c2-bf3a-d0d9e1b558c5.jpg?v=1647888462"},"aspect_ratio":1.502,"height":333,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_4a0a94e1-0b9a-44c2-bf3a-d0d9e1b558c5.jpg?v=1647888462","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eFrom Teva Harrison, the award-winning author and illustrator of \u003ci\u003eIn-Between Days\u003c\/i\u003e, comes a powerful work of poetry and art in which she continues to explore what it means to live with metastatic breast cancer.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn this remarkable, frank, and gut-wrenching mix of words and images, Teva continues on her journey, grappling with what it means to live with metastatic breast cancer. She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.\u003c\/p\u003e\u003cp\u003eStarkly honest and wholly profound, \u003ci\u003eNot One of These Poems Is About You\u003c\/i\u003e distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887848384","AlsoRecommendedISBN_1":"9781487002930","AlsoRecommendedISBN_2":"9781487004071","BASICMainSubject":"POE023010","BASICMainSubjectLiteral":"POETRY \/ Subjects \u0026 Themes \/ Death, Grief, Loss","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTEVA HARRISON\u003c\/strong\u003e (1976–2019) was an author and visual artist. She wrote and illustrated the critically acclaimed graphic memoir \u003cem\u003eIn-Between Days\u003c\/em\u003e, which was the winner of the Kobo Emerging Writer Prize for Nonfiction, a finalist for the Governor General’s Literary Award for Nonfiction and the Joe Shuster Award for Cartoonist or Auteur, and was a \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eNational Post\u003c\/em\u003e, Kobo, and \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e Book of the Year. Forty-five works from \u003cem\u003eIn-Between Days\u003c\/em\u003e have been exhibited in a solo show at the Winnipeg Art Gallery. Teva was Principal Illustrator for the National Film Board\/National Theatre production of playwright Jordan Tannahill’s \u003cem\u003eDraw Me Close: A Memoir\u003c\/em\u003e, a virtual reality theatrical experience blending live theatre and virtual reality technology.\u003c\/p\u003e\r\n\u003cp\u003eShe was a finalist for the Canadian Magazine Award and the National Magazine Award, and her writing appeared in the \u003cem\u003eWalrus\u003c\/em\u003e, \u003cem\u003eGranta\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, the \u003cem\u003eHuffington Post\u003c\/em\u003e, \u003cem\u003eCarte Blanche\u003c\/em\u003e, \u003cem\u003eReader’s Digest\u003c\/em\u003e (Canada, U.S., and International editions), the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, and more. She was a regular commentator on CBC Radio, in the \u003cem\u003eToronto Star\u003c\/em\u003e, and in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, and she appeared on programs including \u003cem\u003eCanada AM\u003c\/em\u003e, \u003cem\u003eThe Agenda with Steve Paikin\u003c\/em\u003e, Space TV’s \u003cem\u003eInnerSpace\u003c\/em\u003e, \u003cem\u003eThe Morning Show\u003c\/em\u003e, and in \u003cem\u003eMaclean’s\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and Rabble.ca. She was also the illustrator of \u003cem\u003eThe Joyful Living Colouring Book\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Subjects \u0026amp; Themes \/ Death, Grief, Loss","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_2":"ART \/ General","BISACSubject_0":"POE023010","BISACSubject_1":"POE011000","BISACSubject_2":"ART000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTEVA HARRISON\u003c\/strong\u003e (1976–2019) was an author and visual artist. She wrote and illustrated the critically acclaimed graphic memoir \u003cem\u003eIn-Between Days\u003c\/em\u003e, which was the winner of the Kobo Emerging Writer Prize for Nonfiction, a finalist for the Governor General’s Literary Award for Nonfiction and the Joe Shuster Award for Cartoonist or Auteur, and was a \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eNational Post\u003c\/em\u003e, Kobo, and \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e Book of the Year. Forty-five works from \u003cem\u003eIn-Between Days\u003c\/em\u003e have been exhibited in a solo show at the Winnipeg Art Gallery. Teva was Principal Illustrator for the National Film Board\/National Theatre production of playwright Jordan Tannahill’s \u003cem\u003eDraw Me Close: A Memoir\u003c\/em\u003e, a virtual reality theatrical experience blending live theatre and virtual reality technology.\u003c\/p\u003e\r\n\u003cp\u003eShe was a finalist for the Canadian Magazine Award and the National Magazine Award, and her writing appeared in the \u003cem\u003eWalrus\u003c\/em\u003e, \u003cem\u003eGranta\u003c\/em\u003e, \u003cem\u003eQuill \u0026 Quire\u003c\/em\u003e, the \u003cem\u003eHuffington Post\u003c\/em\u003e, \u003cem\u003eCarte Blanche\u003c\/em\u003e, \u003cem\u003eReader’s Digest\u003c\/em\u003e (Canada, U.S., and International editions), the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, and more. She was a regular commentator on CBC Radio, in the \u003cem\u003eToronto Star\u003c\/em\u003e, and in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, and she appeared on programs including \u003cem\u003eCanada AM\u003c\/em\u003e, \u003cem\u003eThe Agenda with Steve Paikin\u003c\/em\u003e, Space TV’s \u003cem\u003eInnerSpace\u003c\/em\u003e, \u003cem\u003eThe Morning Show\u003c\/em\u003e, and in \u003cem\u003eMaclean’s\u003c\/em\u003e, \u003cem\u003eChatelaine\u003c\/em\u003e, and Rabble.ca. She was also the illustrator of \u003cem\u003eThe Joyful Living Colouring Book\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Harrison, Teva","Description":"\u003cp\u003e\u003cstrong\u003eFrom Teva Harrison, the award-winning author and illustrator of \u003ci\u003eIn-Between Days\u003c\/i\u003e, comes a powerful work of poetry and art in which she continues to explore what it means to live with metastatic breast cancer.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn this remarkable, frank, and gut-wrenching mix of words and images, Teva continues on her journey, grappling with what it means to live with metastatic breast cancer. She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.\u003c\/p\u003e\u003cp\u003eStarkly honest and wholly profound, \u003ci\u003eNot One of These Poems Is About You\u003c\/i\u003e distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.\u003c\/p\u003e","EAN":"9781487006921","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006921\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Ambrosia","MetaKeywords":"beauty; passionate; defiant; vulnerable; tender; magic of life; light and shadow; sacred and profane; breast cancer; fuck cancer; facing death; love and loss; accessible poetry; grief; powerful; beautiful; heartbreaking; women writers; canlit; Quill and Quire starred review; award-winning author; Honeybee; Trista Mateer; river woman; Katherena Vermette; gifts for her; gifts for mom","NumberOfPages":"104","OtherText_Accolades_0":"Chiaroscuro is, in art, the treatment of light and shade used to create depth and dimension. Teva’s poems have that play of light and shadow. They beam such love and the very whole of life, its essence at the very moment when her own life is receding. She asks us to lean in and listen, and though her voice may be a whisper, it can still shatter glass. Her words hold duality. They are deeply personal, profoundly universal. They are profane and sacred. She is not with us, but she is with us. The poems, each word painstakingly chosen, are polished stones fetched up on the shores of our lives. I am so grateful for this collection: to hear her voice again now, and always.","OtherText_Accolades_0_Auth":"Shelagh Rogers","OtherText_Accolades_1":"Not One of These Poems Is About You is an intimate consideration of the oceanic, immense nature of endings and the tidal ever-afters left for the living. Passionate and defiant in the face of metastatic cancer, Harrison’s poems ‘stand\/alone\/with [their] own truths, acute\/supercharged.’ These poems shine as she did: with fierce lucidity and everyday magic.","OtherText_Accolades_1_Auth":"Dani Couture","OtherText_Accolades_2":"Not One of These Poems Is About You is a radical act of witness — a testimony to being alive with terminal cancer. Teva Harrison’s rawness and vulnerability, her lucid eye and tired body become, here, vital sites of reckoning. This is her offering — to say, it was like this, to say, live, to say, remember. Buy this book. Gift it to others. Love while you can.","OtherText_Accolades_2_Auth":"Aislinn Hunter","OtherText_Accolades_3":"This achingly honest and tender collection is a precious gift from an artist who savoured life more fully than anyone else I know. From intimate moments shared with a lover, to the fear and isolation of illness, these poems are Teva’s candid and generous invitation to join her on her journey from life into death. Not One of These Poems Is About You is one of the few books I can think of that makes me a little less afraid of dying, and a little less afraid of losing those I love.","OtherText_Accolades_3_Auth":"Tannahill Jordan","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eCRITICALLY ACCLAIMED PREVIOUS WORK:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eIn-Between Days\u003c\/em\u003e, Teva’s graphic memoir, received starred reviews from \u003cem\u003ePublisher’s Weekly\u003c\/em\u003e and \u003cem\u003eKirkus\u003c\/em\u003e. It also received glowing reviews from Canadian and international media, including the \u003cem\u003eNew York Times Book Review\u003c\/em\u003e, the \u003cem\u003eToronto Star\u003c\/em\u003e, the \u003cem\u003eGlobe and Mail\u003c\/em\u003e, \u003cem\u003eMaclean’s\u003c\/em\u003e, and the \u003cem\u003eNational Post\u003c\/em\u003e. \u003cem\u003eIn-Between Days\u003c\/em\u003e has sold over 5,000 copies in North America to date.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eHONEST AND UNFLINCHING LOOK AT LIVING WITH CANCER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eHer newest series of poems and art are for those living with and those who have survived cancer. Teva is speaking to and giving voice to a community facing life’s most challenging obstacle.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003e MEANINGFUL GENRE:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eThe success of titles like \u003cem\u003eMilk and Honey\u003c\/em\u003e, \u003cem\u003eThe Sun and her Flowers\u003c\/em\u003e, \u003cem\u003eWild Embers\u003c\/em\u003e, and \u003cem\u003ethe princess saves herself in this one\u003c\/em\u003e has shown that there is a hearty appetite for honest, confessional poetry written by women.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eSUCCESSFUL WRITER AND ARTIST:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eTeva is a writer and graphic artist. Her illustrated series on living with cancer was published in \u003cem\u003eThe Walrus\u003c\/em\u003e, a Canadian general interest magazine, and she has commented on CBC Radio and in the \u003cem\u003eGlobe and Mail\u003c\/em\u003e about her experiences. Numerous health organizations have invited her to speak publicly on behalf of the metastatic cancer community.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Incredibly, [Teva Harrison] used her diminished time to create a heart-rending depiction of disease and its effects, complete with many tiny, beautiful drawings of flowers, insects, stars, and birds. Facing death, Harrison still found beauty in the world and wanted to share it.","OtherText_Review_0_Src":"Quill and Quire","OtherText_Review_1":"In Not One of These Poems Is About You, author and artist Teva Harrison has documented the beauty, fullness, and magic of life and human connection in an honest, vulnerable, and tender collection of poems and line drawings.","OtherText_Review_1_Src":"Globe and Mail","OtherText_ShortDescription_0":"From Teva Harrison, the award-winning author and illustrator of In-Between Days, comes a powerful work of poetry and art.","ProductFormDescription":"trade paperback","PublicationDate":"2020-01-07","Publisher":"House of Anansi Press Inc","ShortDescription":"From Teva Harrison, the award-winning author and illustrator of In-Between Days, comes a powerful work of poetry and art.","Width":"5.875","WidthCode":"in"}
Not One of These Poems Is About You
From Teva Harrison, the award-winning author and illustrator of In-Between Days, comes a powerful work of poetry and art.
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{"id":6982222643259,"title":"Our Voice of Fire","handle":"our-voice-of-fire","description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2023 R\u003c\/strong\u003e\u003cstrong\u003eakuten Kobo Emerging Writer Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003cbr\u003e\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\/p\u003e","published_at":"2022-09-12T12:20:27-04:00","created_at":"2022-09-12T12:10:59-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Bestseller","Adult BIPOC Voices","Adult Starred Reviews","By (author) Morin Brandi","Feminist Reads","House of Anansi Press","pub date: 2022-08-02"],"price":1899,"price_min":1899,"price_max":3499,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40776300953659,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487010577","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":208,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487010577","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40776302919739,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487010584","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487010584","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40776303312955,"title":"Digital Audio, MP3","option1":"Digital Audio, MP3","option2":null,"option3":null,"sku":"9781487012014","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - Digital Audio, MP3","public_title":"Digital Audio, MP3","options":["Digital Audio, MP3"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012014","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40776303640635,"title":"Lossless Format Audio, WAV","option1":"Lossless Format Audio, WAV","option2":null,"option3":null,"sku":"9781487012021","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Our Voice of Fire - Lossless Format Audio, WAV","public_title":"Lossless Format Audio, WAV","options":["Lossless Format Audio, WAV"],"price":3499,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487012021","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ff379b0b-6d08-4375-bc63-7629677ebe76.jpg?v=1709445145"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ff379b0b-6d08-4375-bc63-7629677ebe76.jpg?v=1709445145","options":["Title"],"media":[{"alt":null,"id":24259563683899,"position":1,"preview_image":{"aspect_ratio":0.667,"height":2250,"width":1500,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ff379b0b-6d08-4375-bc63-7629677ebe76.jpg?v=1709445145"},"aspect_ratio":0.667,"height":2250,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_ff379b0b-6d08-4375-bc63-7629677ebe76.jpg?v=1709445145","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2023 R\u003c\/strong\u003e\u003cstrong\u003eakuten Kobo Emerging Writer Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003cbr\u003e\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002268","AlsoRecommendedISBN_1":"9781487005771","AlsoRecommendedISBN_2":"9781487007645","BASICMainSubject":"BIO026000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Memoirs","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eBRANDI MORIN\u003c\/strong\u003e is an award-winning Cree\/Iroquois\/French multimedia journalist from Treaty 6 territory in Alberta. Among her many awards over a decade of reporting on Indigenous oppression in North America, she won two National Native American Journalism awards in 2022 for her work in Al Jazeera English. She also received a top prize in the Feature Reporting category of the Edward Murrow awards. 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Brandi’s debut memoir, Our Voice of Fire: A Memoir of a Warrior Rising, was an instant national bestseller.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Morin, Brandi (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWinner, 2024 Writers' Union of Canada Freedom to Read Award\u003cbr\u003e\nWinner, 2023 Wilfrid Eggleston Award for Nonfiction\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFinalist, 2023 R\u003c\/strong\u003e\u003cstrong \u003eakuten Kobo Emerging Writer Prize\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003cbr\u003e\nBrandi Morin is known for her clear-eyed and empathetic reporting on Indigenous oppression in North America. She is also a survivor of the Missing and Murdered Indigenous Women and Girls crisis and uses her experience to tell the stories of those who did not survive the rampant violence. From her time as a foster kid and runaway who fell victim to predatory men and an oppressive system to her career as an internationally acclaimed journalist, \u003cem\u003eOur Voice of Fire\u003c\/em\u003e chronicles Morin’s journey to overcome enormous adversity and find her purpose, and her power, through journalism. This compelling, honest book is full of self-compassion and the purifying fire of a pursuit for justice.\u003c\/p\u003e","EAN":"9781487010577","Height":"7.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"indigenous authors;violence against women;residential schools;the break katherena vermette;seven fallen feathers tanya talaga;feminism;systemic racism;inequality;memoir;marginalized communities","NumberOfPages":"224","OtherText_Accolades_0":"\u003cp\u003e\u003cem \u003eOur Voice Of Fire\u003c\/em\u003e is a searingly honest, thought-provoking, and ultimately empowering exploration of pain and the quest for justice. By sharing her stories with the world, Brandi Morin makes a beautiful proclamation that there can be a hopeful path through trauma without diminishing the significance of the trauma itself, both personal and intergenerational. These are stories that need to be told and stories that need to be read.\u003c\/p\u003e","OtherText_Accolades_0_Auth":"Dan Levy","OtherText_Accolades_1":"\u003cp\u003eBrandi Morin is one of the most important Indigenous journalists and warriors of our time. Her raw, honest, and beautifully written story of her experiences, trauma, reliance, and perseverance is a must-read for all.\u003c\/p\u003e","OtherText_Accolades_1_Auth":"Crystal Echo Hawk, founder and executive director, IllumiNative","OtherText_Accolades_2":"\u003cp\u003eBrandi Morin is a remarkable writer and a true original, her unique and clarion voice ringing out in the crowded field of contemporary journalism. This memoir is indeed written in fire: it can warm and it can scorch. And it casts a circle of light in the darkness.\u003c\/p\u003e","OtherText_Accolades_2_Auth":"Naomi Klein, author of This Changes Everything","OtherText_Accolades_3":"\u003cp\u003eAn indispensable memoir from one of the most informative voices in contemporary journalism. Brandi Morin’s life story is one of dedication and triumph in spite of the many traumas inflicted upon Indigenous women by the settler colonial state. Through it all, her truth and hope persevere. This book will influence and inspire communities everywhere.\u003c\/p\u003e","OtherText_Accolades_3_Auth":"Waubgeshig Rice, author of Moon of the Crusted Snow","OtherText_Accolades_4":"\u003cp\u003eBrandi Morin is a writer at the height of her powers, fighting to reclaim Canadian history for those whose memory has been crushed under the weight of it. Equal parts devastating and beautiful, \u003cem \u003eOur Voice of Fire\u003c\/em\u003e is essential reading for anyone who wants to understand Canada in 2022.\u003c\/p\u003e","OtherText_Accolades_4_Auth":"Christopher Curtis, journalist and co-founder of The Rover","OtherText_Accolades_5":"\u003cp\u003eThroughout her remarkable career as a journalist, Brandi Morin has told the often-ignored stories of others — particularly of Indigenous women and girls — with respect, dignity, and fearless authenticity. In this book, she does the same with her own.\u003c\/p\u003e","OtherText_Accolades_5_Auth":"Jacqueline O'Neill, Canada's Ambassador for Women, Peace, and Security","OtherText_Accolades_6":"\u003cp\u003eBrandi Morin is a fighter, a survivor, a champion, and her weapon of choice is her words. Only God\/Creator knows where her fight for justice will take her next, but the way I see it, this is just the beginning.\u003c\/p\u003e","OtherText_Accolades_6_Auth":"Jolene Banning, journalist and producer","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eA timely and important subject; more than ever before, Canadians are engaging in conversations about ending violence against Indigenous Peoples.\u003c\/li\u003e\n\u003cli\u003eBoth heartbreaking and hopeful, Morin's story details tremendous pain but the book is ultimately about healing.\u003c\/li\u003e\n\u003cli\u003eFor fans of Billy-Ray Belcourt, Tanya Talaga, and Leanne Betasamosake Simpson.\u003c\/li\u003e\n\u003cli\u003eMorin is a popular journalist with a growing platform.\u003c\/li\u003e\n\u003cli\u003eFor anyone who wants to be engrossed in a compelling memoir but also for those who want to learn more about MMIW.\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"\u003cp\u003eHer powerful and necessary work is required reading for all readers seeking to better know the realities and buried truths of the Indigenous experience.\u003c\/p\u003e","OtherText_Review_0_Src":"Booklist (starred review)","OtherText_Review_1":"\u003cp\u003e[Morin] comes to view her life story as intertwined with those of others, particularly other Indigenous women …\u003cstrong \u003e \u003c\/strong\u003eIn her candour, she calls on us, as readers, to be good visitors in her narrative.\u003c\/p\u003e","OtherText_Review_1_Src":"Literary Review of Canada","OtherText_Review_2":"\u003cp\u003eMorin writes honestly and compassionately … Her narrative provides an important window into an experience that needs far more mainstream attention.\u003c\/p\u003e","OtherText_Review_2_Src":"Liber Review","OtherText_Review_3":"\u003cp\u003eBrandi Morin's storytelling is accessible, powerful, and clear. ... She is a brave and vulnerable storyteller who brings greater empathy and understanding into the lives of Indigenous people and the cycles of intergenerational trauma and yet manages to get up again and again in hope.\u003c\/p\u003e","OtherText_Review_3_Src":"Miramichi Reader","OtherText_Review_4":"\u003cp\u003eMorin’s writing is very satisfying. … Cathartic and evocative, \u003cem \u003eOur Voice of Fire\u003c\/em\u003e is a beautiful memoir … [and] a wake-up call to Canada’s settlers and the politically indifferent.\u003c\/p\u003e","OtherText_Review_4_Src":"Cloud Lake Literary","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Winner","PrizeCodeText_1":"Winner","PrizeCodeText_2":"Short-listed","PrizeCode_0":"01","PrizeCode_1":"01","PrizeCode_2":"04","PrizeName_0":"Writers' Union of Canada Freedom to Read Award","PrizeName_1":"Wilfrid Eggleston Award for Nonfiction","PrizeName_2":"Rakuten Kobo Emerging Writer Prize","PrizeYear_0":"2024","PrizeYear_1":"2023","PrizeYear_2":"2023","ProductFormDescription":"trade paperback","PublicationDate":"2022-08-02","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003eA wildfire of a debut memoir by internationally recognized French\/Cree\/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.\u003c\/strong\u003e\u003c\/p\u003e","Subtitle":"A Memoir of a Warrior Rising","Width":"5","WidthCode":"in"}
Our Voice of Fire
A wildfire of a debut memoir by internationally recognized French/Cree/Iroquois journalist Brandi Morin set to transform the narrative around Indigenous Peoples.
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{"id":6818794209339,"title":"Payback","handle":"payback-1","description":"\u003cp\u003e\u003cstrong\u003eNow a major motion picture\u003cbr\u003e\r\nOfficial selection: 2012 Sundance Film Festival\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLegendary poet, novelist, and essayist Margaret Atwood gives us a surprising look at the topic of debt -- a timely subject during our current period of economic upheaval, caused by the collapse of a system of interlocking debts. Atwood proposes that debt is like air -- something we take for granted until things go wrong.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePayback\u003c\/em\u003e is not a book about practical debt management or high finance, although it does touch upon these subjects. Rather, it is an investigation into the idea of debt as an ancient and central motif in religion, literature, and the structure of human societies. By investigating how debt has informed our thinking from preliterate times to the present day through the stories we tell each other, through our concepts of balance, revenge, and sin, and in the way we form our social relationships, Atwood shows that the idea of what we owe one another -- in other words, debt -- is built into the human imagination and is one of its most dynamic metaphors.\u003c\/p\u003e","published_at":"2022-03-30T10:30:36-04:00","created_at":"2022-03-30T09:08:52-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Nonfiction","Adult Special Edition","Adult Starred Reviews","By (author) Atwood Margaret","House of Anansi Press","pub date: 2007-03-15","The CBC Massey Lectures"],"price":10000,"price_min":10000,"price_max":10000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40247932256315,"title":"hardcover limited edition","option1":"hardcover limited edition","option2":null,"option3":null,"sku":"9780887842269","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Payback - hardcover limited edition","public_title":"hardcover limited edition","options":["hardcover limited edition"],"price":10000,"weight":499,"compare_at_price":null,"inventory_management":null,"barcode":"9780887842269","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a2d8a5a6-f937-48e5-8d9e-e26ed189c98b.jpg?v=1678597196"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a2d8a5a6-f937-48e5-8d9e-e26ed189c98b.jpg?v=1678597196","options":["Title"],"media":[{"alt":null,"id":23324508127291,"position":1,"preview_image":{"aspect_ratio":0.643,"height":575,"width":370,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a2d8a5a6-f937-48e5-8d9e-e26ed189c98b.jpg?v=1678597196"},"aspect_ratio":0.643,"height":575,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_a2d8a5a6-f937-48e5-8d9e-e26ed189c98b.jpg?v=1678597196","width":370}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eNow a major motion picture\u003cbr\u003e\r\nOfficial selection: 2012 Sundance Film Festival\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLegendary poet, novelist, and essayist Margaret Atwood gives us a surprising look at the topic of debt -- a timely subject during our current period of economic upheaval, caused by the collapse of a system of interlocking debts. Atwood proposes that debt is like air -- something we take for granted until things go wrong.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePayback\u003c\/em\u003e is not a book about practical debt management or high finance, although it does touch upon these subjects. Rather, it is an investigation into the idea of debt as an ancient and central motif in religion, literature, and the structure of human societies. By investigating how debt has informed our thinking from preliterate times to the present day through the stories we tell each other, through our concepts of balance, revenge, and sin, and in the way we form our social relationships, Atwood shows that the idea of what we owe one another -- in other words, debt -- is built into the human imagination and is one of its most dynamic metaphors.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487002664","AlsoRecommendedISBN_1":"9781487008512","AlsoRecommendedISBN_2":"9781487009601","BASICMainSubject":"SOC011000","BASICMainSubjectLiteral":"SOCIAL SCIENCE \/ Folklore \u0026 Mythology","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"SOCIAL SCIENCE \/ Folklore \u0026amp; Mythology","BISACSubjectLiteral_1":"BUSINESS \u0026amp; ECONOMICS \/ Economic History","BISACSubjectLiteral_2":"LITERARY CRITICISM \/ General","BISACSubject_0":"SOC011000","BISACSubject_1":"BUS023000","BISACSubject_2":"LIT000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMARGARET ATWOOD\u003c\/strong\u003e, whose work has been published in more than forty-five countries, is the author of more than fifty books of fiction, poetry, critical essays, and graphic novels. Her latest novel, \u003cem\u003eThe Testaments\u003c\/em\u003e, is the long-awaited sequel to \u003cem\u003eThe Handmaid’s Tale\u003c\/em\u003e, now an award-winning TV series. Her other works of fiction include \u003cem\u003eCat’s Eye\u003c\/em\u003e, finalist for the 1989 Booker Prize; \u003cem\u003eAlias Grace\u003c\/em\u003e, which won the Giller Prize in Canada and the Premio Mondello in Italy; \u003cem\u003eThe Blind Assassin\u003c\/em\u003e, winner of the 2000 Booker Prize; The MaddAddam Trilogy; and \u003cem\u003eHag-Seed\u003c\/em\u003e. She is the recipient of numerous awards, including the Peace Prize of the German Book Trade, the Franz Kafka International Literary Prize, the PEN Center USA Lifetime Achievement Award, and the \u003cem\u003eLos Angeles Times\u003c\/em\u003e Innovator’s Award. She lives in Toronto.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Atwood, Margaret (CA)","Description":"\u003cp\u003e\u003cstrong\u003eNow a major motion picture\u003cbr\/\u003e\r\nOfficial selection: 2012 Sundance Film Festival\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eLegendary poet, novelist, and essayist Margaret Atwood gives us a surprising look at the topic of debt -- a timely subject during our current period of economic upheaval, caused by the collapse of a system of interlocking debts. Atwood proposes that debt is like air -- something we take for granted until things go wrong.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cem\u003ePayback\u003c\/em\u003e is not a book about practical debt management or high finance, although it does touch upon these subjects. Rather, it is an investigation into the idea of debt as an ancient and central motif in religion, literature, and the structure of human societies. By investigating how debt has informed our thinking from preliterate times to the present day through the stories we tell each other, through our concepts of balance, revenge, and sin, and in the way we form our social relationships, Atwood shows that the idea of what we owe one another -- in other words, debt -- is built into the human imagination and is one of its most dynamic metaphors.\u003c\/p\u003e","EAN":"9780887842269","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9780887842269\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.25","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"debt; literary anthropology; overdue bills; ethics; morality; recession; economy; financial crash; folklore; mythology; taxation; redemption; revenge; moneylenders; borrowing; lending; literary criticism; anthropology; autobiography; CanLit; history; economics; notes; index; bibliography; award-winning author; nonfiction","NumberOfPages":"240","OtherText_Review_0":"Payback is a delightfully engaging, smart, funny, clever, and terrifying analysis of the role debt plays in our culture, our consciousness, our economy, our ecology and, if Atwood is right, our future.","OtherText_Review_0_Src":"Washington Post","OtherText_Review_1":"Witty, acutely argued and almost freakishly prescient...as amusing as it is unsettling.","OtherText_Review_10":"...replete with anecdotes and opinions, witticisms and barbs...Payback is more about economic principles, and even the market crisis, than it appears at first glance. As impressive as Atwood's intuitions, or her intellect, or even her humour, is her insistence on tracing responsibilities, and possibilities, back to those human, and thus imaginative, constructions.","OtherText_Review_10_Src":"Globe and Mail","OtherText_Review_11":"Elegant and erudite...As one would expect from a novelist of Ms. Atwood's calibre, the phrasing is polished and the metaphors striking.","OtherText_Review_11_Src":"Economist","OtherText_Review_12":"Nothing if not timely...Few writers are able to combine the esoteric with the polemic as [Atwood] does...darkly entertaining.","OtherText_Review_12_Src":"Winnipeg Free Press","OtherText_Review_13":"Payback is a stimulating, learned and stylish read from an eminent author writing from a heartfelt perspective.","OtherText_Review_13_Auth":"Conrad Black","OtherText_Review_13_Src":"Literary Review of Canada","OtherText_Review_14":"The lectures remind us of why Atwood has been so important to our literature.","OtherText_Review_14_Src":"Financial Post","OtherText_Review_15":"There has been much written about Atwood's 'prophetic vision' and her ability to be eerily 'prescient'...given Atwood's track record, I'm a believer...Either Atwood was born under a lucky star or she really should be moonlighting from a shady storefront with a sign that says 'Palm Readings: $25.'","OtherText_Review_15_Src":"Rebecca Eckler","OtherText_Review_16":"\"Ms. Atwood is a witty and astute writer of broad sympathy and wide-ranging curiosity, and the prose of the book, at once commonsensical and counterintuitive, bristles with insight and implication.\"","OtherText_Review_16_Auth":"A.O. Scott","OtherText_Review_16_Src":"New York Times","OtherText_Review_1_Src":"Chicago Tribune","OtherText_Review_2":"A fascinating, freewheeling examination of ideas of debt, balance and revenge in history, society and literature - Atwood has again struck upon our most current anxieties.","OtherText_Review_2_Src":"Times of London","OtherText_Review_3":"A celebrated novelist, poet, and critic, Atwood has combined rigorous analysis, wide-ranging erudition, and a beguilingly playful imagination to produce the most probing and thought-stirring commentary on the financial crisis to date.","OtherText_Review_3_Auth":"John Gray","OtherText_Review_3_Src":"New York Review of Books","OtherText_Review_4":"Elegant and erudite . . . as one would expect from a novelist of Ms. Atwood’s calibre, the phrasing is polished and the metaphors striking.","OtherText_Review_4_Src":"Economist.com","OtherText_Review_5":"An extraordinarily vibrant Massey Lecture on debt, how it plays a motor force in much literature, in our own lives, and in the machinations of the crowd we elect to govern us.","OtherText_Review_5_Src":"Maclean's","OtherText_Review_6":"In Payback, Atwood freely mixes autobiography, literary criticism and anthropology in an examination of debt as a concept deeply rooted in human - and even, in some cases, animal - behaviour...Building an argument that abounds with literary examples...Atwood entertainingly and often wryly advances the familiar thesis that what goes around comes around.","OtherText_Review_6_Src":"Toronto Star","OtherText_Review_7":"[Payback is] a demonstration of Atwood's ability to evoke in memorable detail our vanished cultural past, and to examine both past and present in the form of language. Writing in this mode, she's never off her game.","OtherText_Review_7_Src":"National Post","OtherText_Review_8":"These pieces offer a panoramic look at how the concept of debt acts as a fundamental human bond and - when obligations go unfulfilled, when ledgers are left unbalanced - how it can threaten to tear societies apart.","OtherText_Review_8_Src":"Georgia Straight","OtherText_Review_9":"Atwood's book is a weird but wonderful melange of personal reminiscences, literary walkabout, moral preachment, timely political argument, economic history and theological query, all bound together with wry wit and careful though casual-seeming research.†††††††","OtherText_Review_9_Src":"Publishers Weekly","OtherText_ShortDescription_0":"In her 2008 CBC Massey Lectures, Margaret Atwood delivers a wide ranging, entertaining, and imaginative look at the topic of debt.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_2":"Runner-up","PrizeCodeText_3":"Commended","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_2":"02","PrizeCode_3":"03","PrizeName_0":"OLA Evergreen Award (Forest of Reading)","PrizeName_1":"National Business Book Award","PrizeName_2":"Axiom Business Book Awards - Business Ethics","PrizeName_3":"Globe and Mail Top 100 Best Books of the Year","PrizeYear_0":"2008","PrizeYear_1":"2009","PrizeYear_2":"2008","PrizeYear_3":"2008","ProductFormDescription":"hardcover limited edition","PublicationDate":"2007-03-15","Publisher":"House of Anansi Press Inc","Series":"The CBC Massey Lectures","ShortDescription":"In her 2008 CBC Massey Lectures, Margaret Atwood delivers a wide ranging, entertaining, and imaginative look at the topic of debt.","Width":"5.25","WidthCode":"in"}
Payback
In her 2008 CBC Massey Lectures, Margaret Atwood delivers a wide ranging, entertaining, and imaginative look at the topic of debt.
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{"id":6811313111099,"title":"Ridgerunner","handle":"ridgerunner","description":"\u003cp\u003e\u003cstrong\u003eWriters’ Trust Fiction Prize Winner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotiabank Giller Prize Finalist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart literary Western and part historical mystery, Writers’ Trust Fiction Prize winner \u003cem\u003eRidgerunner \u003c\/em\u003eis now available as a paperback.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNovember 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.\u003c\/p\u003e\n\u003cp\u003eTwelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost.\u003c\/p\u003e\n\u003cp\u003eSet against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, \u003cem\u003eThe Outlander\u003c\/em\u003e, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2022-03-21T17:16:50-04:00","created_at":"2022-03-21T12:39:45-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Award Winning","Adult Bestseller","Adult Starred Reviews","Book Club Pick","By (author) Adamson Gil","House of Anansi Press","pub date: 2020-05-12","Thrillers \u0026 Mystery"],"price":1899,"price_min":1899,"price_max":3295,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191024037947,"title":"hardcover jacket","option1":"hardcover jacket","option2":null,"option3":null,"sku":"9781487006563","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ridgerunner - hardcover jacket","public_title":"hardcover jacket","options":["hardcover jacket"],"price":3295,"weight":581,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487006563","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191076007995,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487006570","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ridgerunner - epub","public_title":"epub","options":["epub"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006570","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191076761659,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487006587","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Ridgerunner - mobi","public_title":"mobi","options":["mobi"],"price":1899,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487006587","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191078334523,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487009038","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ridgerunner - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":2299,"weight":508,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487009038","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de8ef306-ce5e-4f8a-adb9-29f5950b16d0.jpg?v=1670742635"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de8ef306-ce5e-4f8a-adb9-29f5950b16d0.jpg?v=1670742635","options":["Title"],"media":[{"alt":"A grassy ridge looks out over a series of tree-covered hills and mountains. A person stands on the ridge looking out over the edge. They wear a heavy jacket and pants. Text: Ridgerunner. Gil Adamson. Award-winning author of The Outlander. Scotiabank Giller Prize Finalist. WritersÕ Trust of Canada Winner. WritersÕ Trust Fiction Prize. ÒA brilliant literary achievementÉ I loved every page.Ó Scotiabank Giller Prize Winner Michael Redhill.","id":23049063497787,"position":1,"preview_image":{"aspect_ratio":0.656,"height":2400,"width":1575,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de8ef306-ce5e-4f8a-adb9-29f5950b16d0.jpg?v=1670742635"},"aspect_ratio":0.656,"height":2400,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_de8ef306-ce5e-4f8a-adb9-29f5950b16d0.jpg?v=1670742635","width":1575}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eWriters’ Trust Fiction Prize Winner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotiabank Giller Prize Finalist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart literary Western and part historical mystery, Writers’ Trust Fiction Prize winner \u003cem\u003eRidgerunner \u003c\/em\u003eis now available as a paperback.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNovember 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.\u003c\/p\u003e\n\u003cp\u003eTwelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost.\u003c\/p\u003e\n\u003cp\u003eSet against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, \u003cem\u003eThe Outlander\u003c\/em\u003e, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887847295","AlsoRecommendedISBN_1":"9781487004194","AlsoRecommendedISBN_5":"9781770890329","BASICMainSubject":"FIC033000","BASICMainSubjectLiteral":"FICTION \/ Westerns","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eGIL ADAMSON\u003c\/strong\u003e is the critically acclaimed author of \u003cem\u003eRidgerunner\u003c\/em\u003e, which won the Writers’ Trust Fiction Prize, was a finalist for the Scotiabank Giller Prize, and was named a best book of the year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e and the CBC. Her first novel, \u003cem\u003eThe Outlander\u003c\/em\u003e, won the Dashiell Hammett Prize for Literary Excellence in Crime Writing, the Amazon.ca First Novel Award, the ReLit Award, and the Drummer General’s Award. It was a finalist for the Commonwealth Writers’ Prize, CBC Canada Reads, and the Prix Femina in France; longlisted for the International IMPAC Dublin Literary Award; and chosen as a \u003cem\u003eGlobe and Mail\u003c\/em\u003e and \u003cem\u003eWashington Post\u003c\/em\u003e Top 100 Book. She is also the author of a collection of linked stories, \u003cem\u003eHelp Me, Jacques Cousteau\u003c\/em\u003e, and two poetry collections, \u003cem\u003ePrimitive\u003c\/em\u003e and \u003cem\u003eAshland\u003c\/em\u003e. She lives in Toronto.\u003c\/p\u003e","BISACSubjectLiteral_0":"FICTION \/ Westerns","BISACSubjectLiteral_1":"FICTION \/ Literary","BISACSubjectLiteral_2":"FICTION \/ General","BISACSubject_0":"FIC033000","BISACSubject_1":"FIC019000","BISACSubject_2":"FIC000000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eGIL ADAMSON\u003c\/strong\u003e is the critically acclaimed author of \u003cem\u003eRidgerunner\u003c\/em\u003e, which won the Writers’ Trust Fiction Prize, was a finalist for the Scotiabank Giller Prize, and was named a best book of the year by the \u003cem\u003eGlobe and Mail\u003c\/em\u003e and the CBC. Her first novel, \u003cem\u003eThe Outlander\u003c\/em\u003e, won the Dashiell Hammett Prize for Literary Excellence in Crime Writing, the Amazon.ca First Novel Award, the ReLit Award, and the Drummer General’s Award. It was a finalist for the Commonwealth Writers’ Prize, CBC Canada Reads, and the Prix Femina in France; longlisted for the International IMPAC Dublin Literary Award; and chosen as a \u003cem\u003eGlobe and Mail\u003c\/em\u003e and \u003cem\u003eWashington Post\u003c\/em\u003e Top 100 Book. She is also the author of a collection of linked stories, \u003cem\u003eHelp Me, Jacques Cousteau\u003c\/em\u003e, and two poetry collections, \u003cem\u003ePrimitive\u003c\/em\u003e and \u003cem\u003eAshland\u003c\/em\u003e. She lives in Toronto.\u003c\/p\u003e\r\n","ContributorPhoto_0":"https:\/\/www.booksonix.com\/houseofanansi\/Contributors\/Adamson,%20Gil.jpg","ContributorRole_0":"By (author)","Contributor_0":"Adamson, Gil (CA)","Description":"\u003cp\u003e\u003cstrong\u003eWriters’ Trust Fiction Prize Winner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScotiabank Giller Prize Finalist\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart literary Western and part historical mystery, Writers’ Trust Fiction Prize winner \u003cem\u003eRidgerunner \u003c\/em\u003eis now available as a paperback.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNovember 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.\u003c\/p\u003e\n\u003cp\u003eTwelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost.\u003c\/p\u003e\n\u003cp\u003eSet against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, \u003cem\u003eThe Outlander\u003c\/em\u003e, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/p\u003e","EAN":"9781487006563","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487006563\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"outlawed;anna north;ann patchett;the dutch house;commonwealth;the braver thing;clifford jackman;news of the world;paulette jiles;the braver thing;clifford jackman;the overstory;richard powers;where the lost wander;amy harmon;best books of 2021;true grit;sisters brothers;patrick de witt;westworld;alb","NumberOfPages":"456","OtherText_Accolades_0":"Ridgerunner is a spectacular novel.","OtherText_Accolades_0_Auth":"Emily St. John Mandel, author of The Glass Hotel and Station Eleven","OtherText_Accolades_1":"Ridgerunner is truly magnificent. It hearkens back to when novels were generous and ambitious, big-shouldered and big-hearted. Gil Adamson writes worlds utterly unto their own.","OtherText_Accolades_1_Auth":"Robert Olmstead, award-winning author of Coal Black Horse and Savage Country","OtherText_Accolades_2":"In Gil Adamson’s Ridgerunner we meet thirteen-year-old Jack Boulton, whose quest — perhaps foolish, certainly dangerous — is to be reunited with his only living family member, his father. A beautiful and moving novel about the durability of family ties, Ridgerunner is a brilliant literary achievement, and in Jack Boulton, Adamson has created one of the most vividly rendered children you will ever encounter in fiction. I loved every page of it.","OtherText_Accolades_2_Auth":"Michael Redhill, Scotiabank Giller Prize–winning author of Bellevue Square","OtherText_Accolades_3":"Gil Adamson understands the pain and the necessary beauty of our connection with other people better than anyone. Ferocious, entirely authentic, funny, and tragic, Ridgerunner is a wild adventure spun in exalted prose: the book I’ve been wanting to read for years.","OtherText_Accolades_3_Auth":"Marina Endicott, award-winning author of Good to a Fault and The Difference","OtherText_Accolades_4":"In Ridgerunner, Gil Adamson manages a balancing act of beauty and violence, humour and heartbreak. She can write about anything: a nun’s madness, a twelve-year-old boy’s cooking talents, the way a horse moves through a cold forest. How it feels to be held on your mother’s lap, how it feels to jump off a moving train, how it feels to keep the people you’ve lost alive in your mind. The novel is vivid, beautiful, and fully alive.","OtherText_Accolades_4_Auth":"Jamie Harrison, award-winning author of The Widow Nash and The Center of Everything","OtherText_Accolades_5":"[The characters] are so real, the time and place so convincing, and most importantly, the story captivating to the core.","OtherText_Accolades_5_Auth":"Jon Mayes","OtherText_Back_cover_copy_0":"\u003cul\u003e\u003cli\u003eUpon release in hardcover \u003cem\u003eRidgerunner \u003c\/em\u003equickly became a Canadian bestseller.\u003c\/li\u003e\n\u003cli\u003eIt won the Writers’ Trust Fiction Prize and was a finalist for the Scotiabank Giller Prize.\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eRidgerunner\u003c\/em\u003e is part literary Western and part historical mystery.\u003c\/li\u003e\n\u003cli\u003eThis is the follow up to Adamson’s previous award winning and critically acclaimed novel \u003cem\u003eThe Outlander\u003c\/em\u003e.\u003cstrong\u003e\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Description_for_R_0":"\u003cp\u003eWilliam Moreland kept moving south. If the moon was bright he walked all night, wading through dry prairie grass. He was alone and carried his meagre belongings on his back. It was November and snow clung to the hollows and shadows, but that snow was old, dry, delicate as meringue. He had come down the leeward side of the Rockies and had descended into the rolling grassland that runs from Alberta all the way into Montana. Having left the only real home he had ever known, he was looking for the border.\u003cbr \/\u003e\u003cbr \/\u003eCold as the days were, the sun was intense. Every noon he boiled in his coat and every night he lay shivering on the frigid ground and whined like a dog. After four days and nights, his feet were very bad. He suspected they were bloody by now but he couldn’t bring himself to pull off the boots and look.\u003cbr \/\u003e\u003cbr \/\u003eThis was open country. To the east, long grass and low trees all the way to the horizon, and to the west, the land bled into the cloud-like silhouette of the mountains. Days ago he had lost sight of the ranges he called home, and now he paced alongside peaks he remembered dimly from long ago, when he was a younger man, a line of only half-familiar shapes, the faces of acquaintances. He’d stolen everything he could from a ranger’s station outside Banff, including a knapsack, a hatchet, matches, and a blanketcoat with ROCKY MTNS PARK stencilled across the shoulder blades and STN 153 on the chest. He’d found nothing useful for hunting. No gun, not even a knife.\u003cbr \/\u003e\u003cbr \/\u003eThe jerky he’d been eating began to fume right through the canvas of his knapsack and sicken him as he walked. Holding the bag to his belly he clawed through it, dropping behind him the last strips of meat. Then the reeking square of oilcloth in which they had been wrapped fluttered down to settle on a tuft of grass like a tiny umbrella. He took out the hatchet and considered dropping it as well, to get rid of the weight, but couldn’t open his hand. The hatchet had great utility, so he slid it back into his bag. He was god-almighty thirsty and dreamed as he walked, dreamed of a river, of drinking gallons of water from that cold river.\u003cbr \/\u003e\u003cbr \/\u003eOne afternoon he came upon a gully packed with young trees which turned out to be mostly dry, but he dug down and sipped at a muddy pool. Then he rolled onto his side under the cover of shrubs and slept hard. When he rose a few hours later it was getting on to dark and he was stiff and trembling.\u003cbr \/\u003e\u003cbr \/\u003eThat night he found himself on the road he had been looking for. He followed it until he was standing, as planned, outside the little guard hut at the Sweetgrass border crossing between Alberta and Montana. He stood by the lightless window and swayed on numb legs. A bright coin of a moon overhead and no wind at all. The world was utterly still, so quiet he could hear his own ears humming. William Moreland stood like an idiot before the hut and waited for the guard. He stared about with hollow eyes and slowly came to the conclusion that he should probably do something.\u003cbr \/\u003e\u003cbr \/\u003eBeyond the hut was a small gabled house and an unoccupied corral. There was a motorcar up on blocks by the kitchen door, but no lights to be seen anywhere. Moreland tried to call out with his dry throat but all that came out was a thin hiss; his first attempt to speak in more than a week. The applicant to cross over simply waited there, as he should, trying to either speak to authority, or call for service, but could make no sound at all, while the guard slumbered somewhere out of sight.\u003cbr \/\u003e\u003cbr \/\u003eA barn owl melted out of the dark and alighted on a gable of the house. They gazed unblinking at each other until the owl tilted off and moved without sound to the west. \u003cbr \/\u003e\u003cbr \/\u003eThe absurdity of the situation was not lost on Moreland: this was after all the border between two countries. But all around him was a sea of grass and rolling land and wind and animals and dust and seeds that flowed this way and that across the imagined line. A decade and a half earlier he would not have stopped, nor intended to stop, nor have approached the crossing station at all. He would not have given it the slightest thought, but gone his own, quiet, solitary way, neither wild nor domesticated, just alone. But now he had been so long among people he’d forgotten that part of himself. So it came to him very slowly that the natural world, having long ago defined its own precincts and notions of order, was simply waiting for him to become unstuck. \u003cbr \/\u003e\u003cbr \/\u003eHe cupped his face and pressed it to the thin glass. In the darkness of the hut he saw a wooden counter and a high stool. He wandered round to the rear and pulled open the door. Inside he found a shelf under the counter on which stood a few romance books, a clean plate and a fork, long-dead bees and bits of bee, and below that, bolted to the floor, a small metal box. On top lay a heavy padlock, twisted open, and the key was stuck in it. He gathered the padlock into his fist, lifted the lid of the box, and let it all sag to the floor. \u003cbr \/\u003e\u003cbr \/\u003eMoreland stood for a long time looking down at the revolver. An army model, Colt single action. There were a few spare rounds in the box, some of which didn’t match the gun but seemed to have been put there for tidy housekeeping. He considered taking the pistol, but in the end he shut the lid of the box, put the padlock back on top, shut the door to the hut, and left everything as it had been. He looked across the road at the blank windows of the little house and went back out into the night, moving south, always south, wading through a vast nothingness of grass. An ocean of grass.\u003c\/p\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\n\u003cli\u003eBooklist\u003c\/li\u003e\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\n\u003c\/ul\u003e","OtherText_Review_0":"Adamson’s Ridgerunner is the kind of book that forges the possible from the impossible, despite age and borders. It’s a hearty, brave novel that challenges us to live life on our own terms.","OtherText_Review_0_Src":"Chicago Review of Books","OtherText_Review_1":"Part literary Western, part historical mystery, it’s a vivid story that grabs you by the eyeballs on page one.","OtherText_Review_1_Src":"Globe and Mail","OtherText_Review_2":"Engrossing … Adamson immerses readers in life as it was a century ago with attention to details about horses, wolves, bears, the weather, and all of nature, including the light and dark of human nature. Her sly plotting never quits, luring the reader into shocking surprises.","OtherText_Review_2_Src":"Booklist, STARRED REVIEW","OtherText_Review_3":"I have just finished reading Ridgerunner by Gil Adamson, a novel that left me deeply satisfied and savouring the experience of reading a really good book … A great story and a wonderfully written novel.","OtherText_Review_3_Src":"Metro North Bay-Nippissing","OtherText_Review_4":"Adamson writes with a sly wit and a deep insight into her characters and the natural world but, more significantly, into how the characters and the natural world interact, shaping and being shaped by one another . . . Everything packs a significant punch and draws the reader into the novel’s world with a startling immediacy.","OtherText_Review_4_Src":"Quill \u0026 Quire","OtherText_Review_5":"Striking … Once again, Adamson’s powers as a poet weave her characters deeply into the natural world.","OtherText_Review_5_Src":"Georgia Straight","OtherText_Review_6":"Rich and exciting … delightful, sinewy language that takes time with the details of the moment, of humour and whimsy … Adamson’s writing soars.","OtherText_Review_6_Src":"Hamilton Review of Books","OtherText_ShortDescription_0":"\u003cp\u003e\u003cstrong \u003ePart literary Western and part historical mystery, Writers’ Trust Fiction Prize winner \u003cem\u003eRidgerunner \u003c\/em\u003eis now available as a paperback.\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/p\u003e","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCode_0":"04","PrizeCode_1":"04","PrizeName_0":"Scotiabank Giller Prize","PrizeName_1":"Writers’ Trust Fiction Prize","PrizeYear_0":"2020","PrizeYear_1":"2020","ProductFormDescription":"hardcover jacket","PublicationDate":"2020-05-12","Publisher":"House of Anansi Press Inc","ShortDescription":"\u003cp\u003e\u003cstrong \u003ePart literary Western and part historical mystery, Writers’ Trust Fiction Prize winner \u003cem\u003eRidgerunner \u003c\/em\u003eis now available as a paperback.\u003cbr\u003e\n\u003c\/strong\u003e\u003c\/p\u003e","Width":"5.25","WidthCode":"in"}
Ridgerunner
Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback.
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{"id":6811314061371,"title":"Roguelike","handle":"roguelike","description":"\u003cp\u003e\u003cstrong\u003eMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMathew Henderson’s \u003ci\u003eRoguelike\u003c\/i\u003e, the much-anticipated follow-up to his acclaimed 2012 debut \u003ci\u003eThe Lease\u003c\/i\u003e, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.\u003c\/p\u003e\u003cp\u003eThough the poems are largely narrative, ultimately \u003ci\u003eRoguelike\u003c\/i\u003e is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.\u003c\/p\u003e","published_at":"2022-03-21T17:16:51-04:00","created_at":"2022-03-21T12:40:42-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","Adult Starred Reviews","By (author) Henderson Mathew","House of Anansi Press","pub date: 2020-04-07"],"price":1695,"price_min":1695,"price_max":1995,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40191026495547,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781487007812","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Roguelike - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":176,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781487007812","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191101272123,"title":"epub","option1":"epub","option2":null,"option3":null,"sku":"9781487007829","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Roguelike - epub","public_title":"epub","options":["epub"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487007829","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40191101403195,"title":"mobi","option1":"mobi","option2":null,"option3":null,"sku":"9781487009052","requires_shipping":false,"taxable":true,"featured_image":null,"available":true,"name":"Roguelike - mobi","public_title":"mobi","options":["mobi"],"price":1695,"weight":0,"compare_at_price":null,"inventory_management":null,"barcode":"9781487009052","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586","options":["Title"],"media":[{"alt":"The cover image resembles the digital space of a retro video game. The background is black with pixilated grey pathways leading to small brown squares. Inside the squares are green dots and small pixelized images. Text: Roguelike. Poems. Mathew Henderson.","id":22170991591483,"position":1,"preview_image":{"aspect_ratio":0.647,"height":2550,"width":1650,"src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586"},"aspect_ratio":0.647,"height":2550,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/products\/BNCImageAPI_5850d9a3-b830-4e0c-aa4e-5f317801ef13.jpg?v=1654445586","width":1650}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMathew Henderson’s \u003ci\u003eRoguelike\u003c\/i\u003e, the much-anticipated follow-up to his acclaimed 2012 debut \u003ci\u003eThe Lease\u003c\/i\u003e, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.\u003c\/p\u003e\u003cp\u003eThough the poems are largely narrative, ultimately \u003ci\u003eRoguelike\u003c\/i\u003e is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003609","AlsoRecommendedISBN_1":"9781487006150","BASICMainSubject":"POE011000","BASICMainSubjectLiteral":"POETRY \/ Canadian \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eMATHEW HENDERSON\u003c\/strong\u003e grew up in Tracadie, Prince Edward Island. After he graduated high school, Henderson worked summers in the oil fields of Saskatchewan and Alberta. His experiences there provided inspiration for his first book of poetry, \u003cem\u003eThe Lease\u003c\/em\u003e, which was a finalist for both the Trillium Book Award for Poetry and the Gerald Lampert Memorial Award. Henderson earned an M.F.A. from the University of Guelph and has had poems published in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ Canadian \/ General","BISACSubjectLiteral_1":"POETRY \/ Subjects \u0026amp; Themes \/ General","BISACSubjectLiteral_2":"POETRY \/ Subjects \u0026amp; Themes \/ Family","BISACSubject_0":"POE011000","BISACSubject_1":"POE023000","BISACSubject_2":"POE023050","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eMATHEW HENDERSON\u003c\/strong\u003e grew up in Tracadie, Prince Edward Island. After he graduated high school, Henderson worked summers in the oil fields of Saskatchewan and Alberta. His experiences there provided inspiration for his first book of poetry, \u003cem\u003eThe Lease\u003c\/em\u003e, which was a finalist for both the Trillium Book Award for Poetry and the Gerald Lampert Memorial Award. Henderson earned an M.F.A. from the University of Guelph and has had poems published in \u003cem\u003eThe Walrus\u003c\/em\u003e, \u003cem\u003eBrick\u003c\/em\u003e, \u003cem\u003eMaisonneuve\u003c\/em\u003e, and \u003cem\u003eBest Canadian Poetry\u003c\/em\u003e.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Henderson, Mathew","Description":"\u003cp\u003e\u003cstrong\u003eMathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eMathew Henderson’s \u003ci\u003eRoguelike\u003c\/i\u003e, the much-anticipated follow-up to his acclaimed 2012 debut \u003ci\u003eThe Lease\u003c\/i\u003e, melds the unique online vocabulary, culture, and logic of video games with family and addiction narratives, specifically the poet’s relationship with his mother and her struggle with narcotics. The resulting poems are arresting and fresh, mining game mythology, fantasy, and family history, while exploring the rich connection between video gaming and notions of addiction, repetition, storytelling, and escapism.\u003c\/p\u003e\u003cp\u003eThough the poems are largely narrative, ultimately \u003ci\u003eRoguelike\u003c\/i\u003e is less about stories themselves than it is about the psychological and emotional forces that define how and why we make them — how we’re all moved to shape the disparate and seemingly unconnected events of our lives into something meaningful, to make sense of the past and the present through storytelling.\u003c\/p\u003e","EAN":"9781487007812","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487007812\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"gaming; drugs; alcohol; Maritimes; eastern canada; Rogue; Atari; Dungeons and Dragons; New York Times Review; sophomore collection; gamers; dungeon crawl; high fantasy; ASCII; terminal emulator; net hack; rpg; contemporary poetry; canlit; Jason Christie; Karen Solie; Doyali Islam; Emma Healey; Franny Choi; Kevin Connolly; crossover","NumberOfPages":"96","OtherText_Accolades_0":"Mathew Henderson’s Roguelike builds an intoxicating mystical world from the psychological pressure of trauma and the lingering effects of obsession — with one’s family story, with the human impulse to be subsumed by narrative and meaning. There is a fierce independence to the poems, yet they warp-tunnel towards an achingly beautiful bedrock of existence.","OtherText_Accolades_0_Auth":"Jeff Latosik, award-winning author of Dreampad","OtherText_Back_cover_copy_0":"\u003cp\u003e\u003cstrong\u003eACCLAIMED UP-AND-COMING POET:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003eMathew Henderson’s 2012 debut collection, The Lease, received strong reviews from both the New York Times and the Millions. It was a finalist for two of the most prestigious Canadian poetry awards — the Gerald Lampert Memorial Award and the Trillium Book Award for Poetry. His follow-up collection is sure to receive even more great attention!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003eCROSSOVER SUBJECT MATTER:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003e\u003cem\u003eRoguelike\u003c\/em\u003e examines video games from all angles: the culture, the mythology, the language. Fans of video games who might not otherwise read poetry can be drawn in by this subject matter.\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Previous_review_q_0":"\u003cp\u003e\u003cstrong\u003eREVIEW COPIES:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\u003cli\u003ePublishers Weekly\u003c\/li\u003e\r\n\u003cli\u003eBooklist\u003c\/li\u003e\r\n\u003cli\u003eKirkus Reviews\u003c\/li\u003e\r\n\u003c\/ul\u003e","OtherText_Review_0":"Striking and evocative . . . At the heart of this powerful book is a longing to gain perspective and move on from a difficult past.","OtherText_Review_0_Src":"Toronto Star","OtherText_Review_1":"The best poetry combines robust language use and meaning, not one at the expense of the other. Roguelike, the sophomore collection from Toronto poet Mathew Henderson, delivers both . . . Henderson is a master craftsman who loads his poems with elegant turns of phrase and meaning . . . Impossible to internalize at one sitting, Roguelike is worthy of multiple readings not just for the story, but for the skill with which the author manipulates energy and storytelling. Roguelike is a hand grenade that never stops exploding.","OtherText_Review_1_Src":"Quill and Quire","OtherText_Review_2":"Henderson has a talent for the strong image, a sharp setup … Throughout the work, games provide a way to cope, a way to center shifting narratives of shelter and escape … This is a collection about loss and mourning, storytelling and mythmaking; about how we cope and how the externalities we use to do so bleed together to form accepted but ultimately shaky notions of the truth.","OtherText_Review_2_Src":"Temz Review","OtherText_ShortDescription_0":"Mathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.","PrizeCodeText_0":"Short-listed","PrizeCode_0":"04","PrizeName_0":"ReLit Award for Poetry","ProductFormDescription":"trade paperback","PublicationDate":"2020-04-07","Publisher":"House of Anansi Press Inc","ShortDescription":"Mathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.","Width":"5.5","WidthCode":"in"}
Roguelike
Mathew Henderson explores with remarkable insight the unique logics of video games and addiction in his much-anticipated sophomore poetry collection.
Quick View
{"id":6815471599675,"title":"Sequence","handle":"sequence","description":"\u003cp\u003eThe latest collection from Griffin Poetry Prize-winning poet A. F. Moritz.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eSequence\u003c\/em\u003e, the reader accompanies the poet step after step and breath after breath through a haunting and mercurial world that shimmers like sun on sand. Alternating moments of spare clarity with deep narrative flashes, the poem wanders the borders of the self, pursuing the eternal moment through imagined landscapes and the lush world waiting outside the writer's window. This is poetry of intense observation, finely tuned to a pattern that is sustained with breaks and returns, alive with eros and a hunger for Breton's \"convulsive beauty.\" \u003c\/p\u003e\u003cp\u003e\u003cem\u003eSequence\u003c\/em\u003e dazzles as it seeks the great mystery, while remaining fully invested in our life of contingency and time.\u003c\/p\u003e","published_at":"2022-03-24T17:43:59-04:00","created_at":"2022-03-24T14:39:44-04:00","vendor":"House of Anansi Press Inc","type":"","tags":["Adult Poetry","Adult Starred Reviews","By (author) Moritz A.F.","House of Anansi Press","pub date: 2015-04-09"],"price":1995,"price_min":1995,"price_max":1995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40210000052283,"title":"trade paperback","option1":"trade paperback","option2":null,"option3":null,"sku":"9781770898714","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sequence - trade paperback","public_title":"trade paperback","options":["trade paperback"],"price":1995,"weight":231,"compare_at_price":null,"inventory_management":"shopify","barcode":"9781770898714","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a6e706bc-9900-4f13-8b0d-e1d0caa3e5f2.jpg?v=1709286835"],"featured_image":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a6e706bc-9900-4f13-8b0d-e1d0caa3e5f2.jpg?v=1709286835","options":["Title"],"media":[{"alt":null,"id":24253405298747,"position":1,"preview_image":{"aspect_ratio":0.647,"height":638,"width":413,"src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a6e706bc-9900-4f13-8b0d-e1d0caa3e5f2.jpg?v=1709286835"},"aspect_ratio":0.647,"height":638,"media_type":"image","src":"\/\/houseofanansi.com\/cdn\/shop\/files\/BNCImageAPI_a6e706bc-9900-4f13-8b0d-e1d0caa3e5f2.jpg?v=1709286835","width":413}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe latest collection from Griffin Poetry Prize-winning poet A. F. Moritz.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eSequence\u003c\/em\u003e, the reader accompanies the poet step after step and breath after breath through a haunting and mercurial world that shimmers like sun on sand. Alternating moments of spare clarity with deep narrative flashes, the poem wanders the borders of the self, pursuing the eternal moment through imagined landscapes and the lush world waiting outside the writer's window. This is poetry of intense observation, finely tuned to a pattern that is sustained with breaks and returns, alive with eros and a hunger for Breton's \"convulsive beauty.\" \u003c\/p\u003e\u003cp\u003e\u003cem\u003eSequence\u003c\/em\u003e dazzles as it seeks the great mystery, while remaining fully invested in our life of contingency and time.\u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9780887846588","AlsoRecommendedISBN_1":"9781487007799","AlsoRecommendedISBN_2":"9781770892491","BASICMainSubject":"POE005010","BASICMainSubjectLiteral":"POETRY \/ American \/ General","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eA. F. MORITZ\u003c\/strong\u003e’s entire post-education life has been spent in Toronto; he was the city’s poet laureate 2019-2023. He has written twenty-two books of poetry. His works with Anansi, since 2004, have received the Griffin Poetry Prize, the ReLit Award, the Beth Hokin Prize, and the Raymond Souster Award, and were finalists for the Governor General’s Award (twice) and the Trillium Award. He has received a Guggenheim Fellowship, the Ingram Merrill Fellowship, and the Award in Literature of the American Academy of Arts and Letters.\u003c\/p\u003e","BISACSubjectLiteral_0":"POETRY \/ American \/ General","BISACSubjectLiteral_1":"POETRY \/ Canadian \/ General","BISACSubject_0":"POE005010","BISACSubject_1":"POE011000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eA. F. MORITZ\u003c\/strong\u003e’s entire post-education life has been spent in Toronto; he was the city’s poet laureate 2019-2023. He has written twenty-two books of poetry. His works with Anansi, since 2004, have received the Griffin Poetry Prize, the ReLit Award, the Beth Hokin Prize, and the Raymond Souster Award, and were finalists for the Governor General’s Award (twice) and the Trillium Award. He has received a Guggenheim Fellowship, the Ingram Merrill Fellowship, and the Award in Literature of the American Academy of Arts and Letters.\u003c\/p\u003e\n","ContributorRole_0":"By (author)","Contributor_0":"Moritz, A.F. (CA)","Description":"\u003cp\u003eThe latest collection from Griffin Poetry Prize-winning poet A. F. Moritz.\u003c\/p\u003e\u003cp\u003eIn \u003cem\u003eSequence\u003c\/em\u003e, the reader accompanies the poet step after step and breath after breath through a haunting and mercurial world that shimmers like sun on sand. Alternating moments of spare clarity with deep narrative flashes, the poem wanders the borders of the self, pursuing the eternal moment through imagined landscapes and the lush world waiting outside the writer's window. This is poetry of intense observation, finely tuned to a pattern that is sustained with breaks and returns, alive with eros and a hunger for Breton's \"convulsive beauty.\" \u003c\/p\u003e\u003cp\u003e\u003cem\u003eSequence\u003c\/em\u003e dazzles as it seeks the great mystery, while remaining fully invested in our life of contingency and time.\u003c\/p\u003e","EAN":"9781770898714","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770898714\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"Canadian; American; Canadian Poetry; Canadian Poets; Modern Poetry; Contemporary Poetry; Free Verse; Landscapes; Space; Stars; Darkness; Ontario; Night; Contemplation; Thoughtful; Reflection","NumberOfPages":"168","OtherText_Review_0":"Moritz's exquisite control of line length, among other techniques, creates unique forms, and the poems themselves move smoothly between modes.","OtherText_Review_0_Auth":"Candace Fertile","OtherText_Review_0_Src":"Quill \u0026 Quire","OtherText_ShortDescription_0":"A finely tuned collection from Griffin Poetry Prize-winning poet A. F. Moritz.","ProductFormDescription":"trade paperback","PublicationDate":"2015-04-09","Publisher":"House of Anansi Press Inc","ShortDescription":"A finely tuned collection from Griffin Poetry Prize-winning poet A. F. Moritz.","Width":"5.5","WidthCode":"in"}
Sequence
A finely tuned collection from Griffin Poetry Prize-winning poet A. F. Moritz.
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{"id":6814246862907,"title":"Seven Fallen Feathers","handle":"seven-fallen-feathers","description":"\u003cp\u003e\u003cstrong\u003eThe groundbreaking and multiple award-winning national bestseller work about systemic racism, education, the failure of the policing and justice systems, and Indigenous rights by Tanya Talaga.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOver the span of eleven years, seven Indigenous high school students died in Thunder Bay, Ontario. They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. 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They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Using a sweeping narrative focusing on the lives of the students, award-winning author Tanya Talaga delves into the history of this northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487001278","AlsoRecommendedISBN_5":"9781487006839","AlsoRecommendedISBN_6":"9781770899377","BASICMainSubject":"BIO028000","BASICMainSubjectLiteral":"BIOGRAPHY \u0026 AUTOBIOGRAPHY \/ Cultural, Ethnic \u0026 Regional \/ Indigenous","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eTANYA TALAGA\u003c\/strong\u003e is the acclaimed author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e, which was the winner of the RBC Taylor Prize, the Shaughnessy Cohen Prize for Political Writing, and the First Nation Communities READ: Young Adult\/Adult Award; a finalist for the Hilary Weston Writers’ Trust Nonfiction Prize and the BC National Award for Nonfiction; CBC’s Nonfiction Book of the Year, a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, and a national bestseller. Talaga was the 2017–2018 Atkinson Fellow in Public Policy, the 2018 CBC Massey Lecturer, and author of the national bestseller \u003cem\u003eAll Our Relations: Finding The Path Forward\u003c\/em\u003e. For more than twenty years she has been a journalist at the Toronto Star and is now a columnist at the newspaper. She has been nominated five times for the Michener Award in public service journalism. Talaga is of Polish and Indigenous descent. Her great-grandmother, Liz Gauthier, was a residential school survivor. Her great-grandfather, Russell Bowen, was an Ojibwe trapper and labourer. Her grandmother is a member of Fort William First Nation. Her mother was raised in Raith and Graham, Ontario. She lives in Toronto with her two teenage children.\u003c\/p\u003e","BISACSubjectLiteral_0":"BIOGRAPHY \u0026amp; AUTOBIOGRAPHY \/ Cultural, Ethnic \u0026amp; Regional \/ Native American \u0026amp; Aboriginal","BISACSubjectLiteral_1":"POLITICAL SCIENCE \/ Human Rights","BISACSubjectLiteral_2":"SOCIAL SCIENCE \/ Indigenous Studies","BISACSubject_0":"BIO028000","BISACSubject_1":"POL035010","BISACSubject_2":"SOC062000","ContributorBio_0":"\u003cp\u003e\u003cstrong\u003eTANYA TALAGA\u003c\/strong\u003e is the acclaimed author of \u003cem\u003eSeven Fallen Feathers\u003c\/em\u003e, which was the winner of the RBC Taylor Prize, the Shaughnessy Cohen Prize for Political Writing, and the First Nation Communities READ: Young Adult\/Adult Award; a finalist for the Hilary Weston Writers’ Trust Nonfiction Prize and the BC National Award for Nonfiction; CBC’s Nonfiction Book of the Year, a \u003cem\u003eGlobe and Mail\u003c\/em\u003e Top 100 Book, and a national bestseller. Talaga was the 2017–2018 Atkinson Fellow in Public Policy, the 2018 CBC Massey Lecturer, and author of the national bestseller \u003cem\u003eAll Our Relations: Finding The Path Forward\u003c\/em\u003e. For more than twenty years she has been a journalist at the Toronto Star and is now a columnist at the newspaper. She has been nominated five times for the Michener Award in public service journalism. Talaga is of Polish and Indigenous descent. Her great-grandmother, Liz Gauthier, was a residential school survivor. Her great-grandfather, Russell Bowen, was an Ojibwe trapper and labourer. Her grandmother is a member of Fort William First Nation. Her mother was raised in Raith and Graham, Ontario. She lives in Toronto with her two teenage children.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Talaga, Tanya (CA)","Description":"\u003cp\u003e\u003cstrong\u003eThe groundbreaking and multiple award-winning national bestseller work about systemic racism, education, the failure of the policing and justice systems, and Indigenous rights by Tanya Talaga.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eOver the span of eleven years, seven Indigenous high school students died in Thunder Bay, Ontario. They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Using a sweeping narrative focusing on the lives of the students, award-winning author Tanya Talaga delves into the history of this northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities. \u003c\/p\u003e","EAN":"9781487002268","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002268\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","Height":"8.5","HeightCode":"in","Imprint":"House of Anansi Press","MetaKeywords":"residential school; generational trauma; Idle No More; Truth and Reconciliation Commission; Charlie Chanie Wenjack; Dennis Franklin Cromarty; Nishnawbe Aski Nation; Dakota Access; pipeline protest; Coastal GasLink; indigenous suicide; racism in Canada; colonization; Norval Morrisseau; Kyle Morrisseau; Jethro Anderson; Curran Strang; Paul Panacheese; Robyn Harper; Reggie Bushie; Jordan Wabasse; Anishinaabe; The Secret Path Gord Downie Jeff Lemire; All Our Relations; Thomas King; Joseph Boyden","NumberOfPages":"376","OtherText_Accolades_0":"This story is hard and harrowing, but Talaga tells it with the care of a storyteller and the factual attention of a journalist. She makes the difficult connections between this national tragedy and the greater colonial systems that have endangered our most vulnerable for over a century, and she does it all with a keen, compassionate eye for all involved, especially the families who are too often overlooked. These stories need to be heard. These young people deserve nothing less than to be honoured everywhere.","OtherText_Accolades_0_Auth":"Katherena Vermette","OtherText_Accolades_1":"Seven Fallen Feathers may prove to be the most important book published in Canada in 2017. Tanya Talaga offers well-researched, difficult truths that expose the systemic racism, poverty, and powerlessness that contribute to the ongoing issues facing Indigenous youth, their families, and their communities. It is a call to action that deeply honours the lives of the seven young people; our entire nation should feel their loss profoundly.","OtherText_Accolades_1_Auth":"Patti LaBoucane-Benson","OtherText_Accolades_2":"You simply must read this book. Tanya Talaga has done the hard work for us. She sat with the families, heard their stories. Now, with the keen eye and meticulous research of an uncompromising journalist, she is sharing their truths. We have to start listening. Parents are sending their children to school in Thunder Bay to watch them die. Racism, police indifference, bureaucratic ineptitude, lateral violence — it doesn’t have to be this way. Let this book enrage you — and then demand that Canada act now.","OtherText_Accolades_2_Auth":"Duncan McCue","OtherText_Description_for_R_0":"\u003cp\u003eIt’s early April and the 2011 federal election is in full swing. All over Canada, Stephen Harper’s Conservatives are duking it out with Jack Layton’s New Democrats and the struggling Liberals in a bid to win a majority government.\u003c\/p\u003e\u003cp\u003eI’m in Thunder Bay, Ontario, to see Stan Beardy, the Nishawbe-Aski Nation’s grand chief, to interview him for a story on why it is indigenous people never seem to vote.\u003c\/p\u003e\u003cp\u003eThe receptionist at the NAN’s office greets me and ushers me into a large, common meeting room to wait for Stan. Everything in the room is grey — the walls, the tubular plastic tables, the carpets. The only splash of colour is a large white flag with a bear on it that has been tacked to the wall.\u003c\/p\u003e\u003cp\u003eThe Great White Bear stands in the centre of a red circle, in the middle of the flag. The white bear is the traditional symbol of the life of the North American Indian. The red circle background is symbolic of the Red Man. His feet are standing, planted firmly on the bottom line, representing the Earth while his head touches the top line, symbolic to his relationship to the Great Spirit in the sky. The bear is stretched out, arms and feet open wide, to show he has nothing to hide.\u003c\/p\u003e\u003cp\u003eThere are circles joining the bear’s rib cage. They are the souls of the people, indigenous songs, and legends. The circles are the ties that bind all the clans together.\u003c\/p\u003e\u003cp\u003eThese circles also offer protection. Without them, the ribcage would expose the great bear’s beating heart and leave it open to harm.\u003c\/p\u003e\u003cp\u003eStan walks in and greets me warmly, his brown eyes twinkling as he takes a seat.\u003c\/p\u003e\u003cp\u003eStan is pensive, quiet, and patient. He says nothing as he wearily leans back in his chair and waits for me to explain why exactly I flew 2,400 km north from Toronto to see him and talk about the federal election.\u003c\/p\u003e\u003cp\u003eI launch into my spiel, trying not to sound like a salesperson or an interloper into his world, someone who kind of belongs here and kind of does not. This is the curse of my mixed blood. I am the daughter of a half-Anish mom and a Polish father.\u003c\/p\u003e \u003cp\u003eI ramble off abysmal voting pattern statistics across Canada, while pointing out that in many ridings indigenous people could act as a swing vote, influencing that riding and hence the trajectory of the election.\u003c\/p\u003e\u003cp\u003eStan stares at me impassively. Non-plussed.\u003c\/p\u003e\u003cp\u003eSo I start firing off some questions.\u003c\/p\u003e\u003cp\u003eIt doesn’t go well. Every time I try to engage him, asking him about why indigenous people won’t get in the game and vote, he begins talking about the disappearance of fifteen-year-old Jordan Wabasse.\u003c\/p\u003e\u003cp\u003eIt was a frustrating exchange, like we were speaking two different languages.\u003c\/p\u003e\u003cp\u003e“Indigenous voters could influence fifty seats across the country if they got out and voted but they don’t. Why?” I ask.\u003c\/p\u003e\u003cp\u003e“Why aren’t you writing a story on Jordan Wabasse? He has been gone seventy-one days now,” replies Stan.\u003c\/p\u003e\u003cp\u003e“Stephen Harper has been no friend to indigenous people yet if everyone voted, they could swing the course of this election,” I continue, hoping he’ll bite at the sound of Harper’s name. The man is no friend of the Indians.\u003c\/p\u003e\u003cp\u003e“They found a shoe down by the water. Police think it might have been his,” replies Stan.\u003c\/p\u003e\u003cp\u003eThis went on for a good fifteen minutes. I was annoyed. I knew a missing Grade 9 indigenous student in Thunder Bay would not make news in urban Toronto at Canada’s largest daily newspaper. I could practically see that election bus rolling away without me.\u003c\/p\u003e\u003cp\u003eThen I remembered my manners and where I was.\u003c\/p\u003e\u003cp\u003eI was sitting with the elected grand chief of 23,000 people and he was clearly trying to tell me something.\u003c\/p\u003e\u003cp\u003eI tried a new tactic. I’d ask about Jordan and then I’d swing around and get him to talk about elections.\u003c\/p\u003e\u003cp\u003eThen Stan said: “Jordan is the seventh student to go missing or die while at school.”\u003c\/p\u003e\u003cp\u003eSeven.\u003c\/p\u003e\u003cp\u003eStan says their names: “Reggie Bushie. Jethro Anderson. Paul Panacheese. Curran Strang. Robyn Harper. Kyle Morrisseau. And now, Jordan Wabasse.”\u003c\/p\u003e\u003cp\u003eHe then tells me the seven were hundreds of miles away from their home communities and families.\u003c\/p\u003e\u003cp\u003eEach was forced to leave their reserve simply because there was no high school for them to attend.\u003c\/p\u003e\u003cp\u003e“Going to high school is the right of every Canadian child,” says Stan, adding that these children are no different.\u003c\/p\u003e","OtherText_Review_0":"[A]n urgent and unshakable portrait of the horrors faced by Indigenous teens going to school in Thunder Bay, Ontario, far from their homes and families. . . . Talaga’s incisive research and breathtaking storytelling could bring this community one step closer to the healing it deserves.","OtherText_Review_0_Src":"Booklist","OtherText_Review_1":"Talaga’s research is meticulous and her journalistic style is crisp and uncompromising. . . . The book is heartbreaking and infuriating, both an important testament to the need for change and a call to action.","OtherText_Review_1_Src":"Publisher's Weekly","OtherText_Review_2":"What is happening in Thunder Bay is particularly destructive, but Talaga makes clear how Thunder Bay is symptomatic, not the problem itself. Recently shortlisted for the Hilary Weston Writers’ Trust Prize for Nonfiction, Talaga’s is a book to be justly infuriated by.","OtherText_Review_2_Src":"Globe and Mail","OtherText_Review_3":"Tanya Talaga investigates the deaths of seven Indigenous teens in Thunder Bay — Jethro Anderson, Curran Strang, Robyn Harper, Paul Panacheese, Reggie Bushie, Kyle Morrisseau, and Jordan Wabasse — searching for answers and offering a deserved censure to the authorities who haven’t investigated, or considered the contributing factors, nearly enough.","OtherText_Review_3_Src":"National Post","OtherText_Review_4":"[W]here Seven Fallen Feathers truly shines is in Talaga’s intimate retellings of what families experience when a loved one goes missing, from filing a missing-persons report with police, to the long and brutal investigation process, to the final visit in the coroner’s office. It’s a heartbreaking portrait of an indifferent and often callous system . . . Seven Fallen Feathers is a must-read for all Canadians. It shows us where we came from, where we’re at, and what we need to do to make the country a better place for us all.","OtherText_Review_4_Src":"The Walrus","OtherText_ShortDescription_0":"The shocking true story of seven young Indigenous students who were found dead in a northern Ontario city over the span of seven years.","PrizeCodeText_0":"Short-listed","PrizeCodeText_1":"Short-listed","PrizeCodeText_10":"Commended","PrizeCodeText_11":"Commended","PrizeCodeText_12":"Commended","PrizeCodeText_13":"Commended","PrizeCodeText_14":"Commended","PrizeCodeText_2":"Short-listed","PrizeCodeText_3":"Commended","PrizeCodeText_4":"Winner","PrizeCodeText_5":"Winner","PrizeCodeText_6":"Winner","PrizeCodeText_7":"Short-listed","PrizeCodeText_8":"Long-listed","PrizeCodeText_9":"Commended","PrizeCode_0":"04","PrizeCode_1":"04","PrizeCode_10":"03","PrizeCode_11":"03","PrizeCode_12":"03","PrizeCode_13":"03","PrizeCode_14":"03","PrizeCode_2":"04","PrizeCode_3":"03","PrizeCode_4":"01","PrizeCode_5":"01","PrizeCode_6":"01","PrizeCode_7":"04","PrizeCode_8":"05","PrizeCode_9":"03","PrizeName_0":"Hilary Weston Writers’ Trust Prize for Nonfiction","PrizeName_1":"B.C. National Award for Canadian Non-fiction","PrizeName_10":"Walrus Book of the Decade","PrizeName_11":"Globe and Mail Top 100 Book","PrizeName_12":"National Post 99 Best Book of the Year","PrizeName_13":"Chatelaine 20 Best Books of 2017","PrizeName_14":"CBC’s Nonfiction Book of the Year","PrizeName_2":"Speaker's Book Award","PrizeName_3":"National Bestseller","PrizeName_4":"RBC Taylor Prize","PrizeName_5":"Shaughnessy Cohen Prize for Political Writing","PrizeName_6":"First Nation Communities Read: Young Adult\/Adult","PrizeName_7":"J. W. Dafoe Book Prize","PrizeName_8":"CBC Canada Reads","PrizeName_9":"Indigo Best Book of the Decade","PrizeYear_0":"2017","PrizeYear_1":"2018","PrizeYear_10":"2017","PrizeYear_11":"2017","PrizeYear_12":"2017","PrizeYear_13":"2017","PrizeYear_14":"2017","PrizeYear_2":"2017","PrizeYear_3":"2017","PrizeYear_4":"2017","PrizeYear_5":"2017","PrizeYear_6":"2017","PrizeYear_7":"2017","PrizeYear_8":"2017","PrizeYear_9":"2017","ProductFormDescription":"trade paperback","PublicationDate":"2017-09-30","Publisher":"House of Anansi Press Inc","ShortDescription":"The shocking true story of seven young Indigenous students who were found dead in a northern Ontario city over the span of seven years.","Subtitle":"Racism, Death, and Hard Truths in a Northern City","teachersguide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781487002268\u0026amp;SAN=\u0026amp;Perspective=teachersguide\u0026amp;FileNumber=0","Width":"5.5","WidthCode":"in"}
Seven Fallen Feathers
The shocking true story of seven young Indigenous students who were found dead in a northern Ontario city over the span of seven years.
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{"id":6817704837179,"title":"Signs and Wonders","handle":"signs-and-wonders","description":"\u003cp\u003e\u003cstrong\u003eA New York Times Editors' Choice and an Oprah's Book Club Summer Reading Pick\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn this brilliant new collection, Scotiabank Giller Prize and Rogers Writers' Trust Fiction Prize nominee Alix Ohlin skillfully displays the full range of human emotions through the subtly powerful dramas of everyday life.\u003c\/p\u003e\r\n\u003cp\u003eIn \"You Are What You Like\" a young couple finds their life derailed by the arrival of a hard-partying old friend. In \"Robbing the Cradle\" Lisette does everything she can to give her husband a baby, committing an act of desperation. In \"The Idea Man\" Beth, a divorcee, falls in love with a man who lies for fun. 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In \"Robbing the Cradle\" Lisette does everything she can to give her husband a baby, committing an act of desperation. In \"The Idea Man\" Beth, a divorcee, falls in love with a man who lies for fun. And in the incredible title story, Kathleen finds herself sitting at the hospital bedside of a man she had planned to divorce, comforted by the woman she went out of her way to hurt. These characters are divorced and beginning to date again, childless and longing for children, married and aching for more. Often unexpected and unsettling, always fascinating, \u003cem\u003eSigns and Wonders\u003c\/em\u003e showcases a young writer of remarkable range and emotional depth. \u003c\/p\u003e"}
{"AlsoRecommendedISBN_0":"9781487003432","AlsoRecommendedISBN_2":"9781770893085","AlsoRecommendedISBN_3":"9781770894631","BASICMainSubject":"FIC029000","BASICMainSubjectLiteral":"FICTION \/ Short Stories","BiographicalNote":"\u003cp\u003e\u003cstrong\u003eALIX OHLIN\u003c\/strong\u003e is the author of six books, including the novels \u003cem\u003eInside\u003c\/em\u003e and \u003cem\u003eDual Citizens\u003c\/em\u003e, which were both finalists for the Scotiabank Giller Prize and the Rogers Writers’ Trust Fiction Prize. Her work has appeared in \u003cem\u003eThe New Yorker\u003c\/em\u003e, \u003cem\u003eTin House\u003c\/em\u003e, \u003cem\u003eBest American Short Stories\u003c\/em\u003e, and many other publications. 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Born and raised in Montreal, she lives in Vancouver, where she chairs the creative writing program at the University of British Columbia.\u003c\/p\u003e\r\n","ContributorRole_0":"By (author)","Contributor_0":"Ohlin, Alix (CA)","Description":"\u003cp\u003e\u003cstrong\u003eA New York Times Editors' Choice and an Oprah's Book Club Summer Reading Pick\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIn this brilliant new collection, Scotiabank Giller Prize and Rogers Writers' Trust Fiction Prize nominee Alix Ohlin skillfully displays the full range of human emotions through the subtly powerful dramas of everyday life.\u003c\/p\u003e\r\n\u003cp\u003eIn \"You Are What You Like\" a young couple finds their life derailed by the arrival of a hard-partying old friend. In \"Robbing the Cradle\" Lisette does everything she can to give her husband a baby, committing an act of desperation. In \"The Idea Man\" Beth, a divorcee, falls in love with a man who lies for fun. And in the incredible title story, Kathleen finds herself sitting at the hospital bedside of a man she had planned to divorce, comforted by the woman she went out of her way to hurt. These characters are divorced and beginning to date again, childless and longing for children, married and aching for more. Often unexpected and unsettling, always fascinating, \u003cem\u003eSigns and Wonders\u003c\/em\u003e showcases a young writer of remarkable range and emotional depth. \u003c\/p\u003e","EAN":"9781770892088","excerpt_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770892088\u0026amp;SAN=\u0026amp;Perspective=excerpt\u0026amp;FileNumber=0","guide_0":"https:\/\/biblioshare.org\/BNCservices\/BNCServices.asmx\/Samples?token=fcf85c1c1b298e99\u0026amp;ean=9781770892088\u0026amp;SAN=\u0026amp;Perspective=guide\u0026amp;FileNumber=0","Height":"8","HeightCode":"in","Imprint":"Astoria","NumberOfPages":"272","OtherText_Review_0":"... winning ... tightly crafted ... these snippets of life’s upheavals highlight Ohlin’s keen eye for observation.","OtherText_Review_0_Src":"Publishers Weekly","OtherText_Review_1":"... by the time you're through reading Signs and Wonders you'll be fully under Ohlin's spell ...","OtherText_Review_10":"It’s hard to resist devouring the stories at first, but upon approaching the last few with a sense of hesitation one does slow down, wanting to draw out the pleasure as long as possible.","OtherText_Review_10_Auth":"Megan Power","OtherText_Review_10_Src":"Chronicle Herald","OtherText_Review_1_Auth":"Emily M Keeler","OtherText_Review_1_Src":"FASHION","OtherText_Review_2":"Unputdownable. It's the literary equivalent of a Paul Simon album: crisp, focused, lovely, and lasting. Ohlin's characters are so genuine you'll be reminded of people you know, love, and hate.","OtherText_Review_2_Src":"Marie Claire","OtherText_Review_3":"... intense and beautifully shaped ...","OtherText_Review_3_Src":"Boston Globe","OtherText_Review_4":"... a writer who should be famous ...","OtherText_Review_4_Auth":"T. F. Rigelhof","OtherText_Review_4_Src":"Globe and Mail","OtherText_Review_5":"... impressive ... with enjoyably mordant humour and a surgical hand with relationship dissection, Ohlin examines the corrosion-prone faces of love.","OtherText_Review_5_Auth":"Brett Josef Grubisic","OtherText_Review_5_Src":"National Post","OtherText_Review_6":"… wise and whimsical … there's plenty of playfulness and warmth throughout these stories, but there's plenty of insight, too.","OtherText_Review_6_Auth":"Leigh Newman","OtherText_Review_6_Src":"Oprah Magazine","OtherText_Review_7":"These closely worked stories about life on earth -- they soar. They do.","OtherText_Review_7_Auth":"Alan Cheuse","OtherText_Review_7_Src":"NPR","OtherText_Review_8":"I’ll come right out and say it: Read this!","OtherText_Review_8_Auth":"Ian McGillis","OtherText_Review_8_Src":"Montreal Gazette","OtherText_Review_9":"... conversational, irreverent, and stealthily humorous ... [Ohlin blends] pathos with acerbic wit ...","OtherText_Review_9_Auth":"Dory Cerny","OtherText_Review_9_Src":"Quill and Quire","OtherText_ShortDescription_0":"From a talented young writer comes sixteen stories about the the connections between us all.","PrizeCodeText_0":"Commended","PrizeCodeText_1":"Commended","PrizeCode_0":"03","PrizeCode_1":"03","PrizeName_0":"Oprah's Book Club Summer Reading Pick","PrizeName_1":"New York Times Editors' Choice","PrizeYear_0":"2012","PrizeYear_1":"2012","ProductFormDescription":"trade paperback","PublicationDate":"2012-06-16","Publisher":"House of Anansi Press Inc","ShortDescription":"From a talented young writer comes sixteen stories about the the connections between us all.","Width":"5.1875","WidthCode":"in"}
Signs and Wonders
From a talented young writer comes sixteen stories about the the connections between us all.
